
It's a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem - there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn't hesitate to t... (Full plot summary below)
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It's a dreary Christmas 1944 for the American POWs in Stalag 17. For the men in Barracks 4, all sergeants, have to deal with a grave problem - there seems to be a security leak. The Germans always seem to be forewarned about escapes and in the most recent attempt the two men, Manfredi and Johnson, walked straight into a trap and were killed. For some in Barracks 4, especially the loud-mouthed Duke, the leaker is obvious: J.J. Sefton, a wheeler-dealer who doesn't hesitate to trade with the guards and who has acquired goods and privileges that no other prisoner seems to have. Sefton denies giving the Germans any information and makes it quite clear that he has no intention of ever trying to escape. He plans to ride out the war in what little comfort he can arrange, but it doesn't extend to spying for the Germans. As tensions mount and mob mentality takes root, it becomes obvious Sefton will have to find the real German agent in their midst, which he finally does.
Leave your thoughts about Stalag 17.
| Arizona Daily StarPhil VillarrealAs with many of Wilder's films, you tend to forget just how funny it is %u2014 the way the master director cuts tension with incisive wit and barely controlled silliness. |
| Cinema SightWesley LovellWhen escape is the only option, you do whatever you can to make it happen. This is one exciting escape drama. |
| VarietyVariety StaffA lusty comedy-melodrama, loaded with bold, masculine humor and as much of the original's uninhibited earthiness as good taste and the Production Code permit. |
| Chicago TribuneMichael WilmingtonStalag 17 is a black comedy before the term black comedy was coined. |
| EmanuelLevy.ComEmanuel LevyWilliam Holden won his first and only Best Actor Oscar for Billy Wilder's vastly entertaining serio comedy set in a POW camp. |
| Chicago ReaderDon DrukerIt's chock-full of typical Wilder cynicism and the offhand transvestite humor that would reach its apotheosis in Some Like It Hot, but its wit falters as the melodramatic tension builds. The resulting letdown is terrific, but along the way there is some of the funniest men-at-loose-ends interplay that Wilder has ever put on film. |
| Flick FilosopherMaryAnn JohansonStalag 17 leaves you feeling somehow good about life. |
| USA TodayMike ClarkWilder takes the Broadway play, as well as the genteel camaraderie familiar from the British POW films, shakes it all up, makes it tougher, funnier, cruder and subtler. |
| ReelViewsJames BerardinelliStalag 17, despite often being labeled as one of Wilder's "lesser" films, is a bona fide classic, and an example of how an accomplished director can meld many elements into a workable whole. |
| Three Movie BuffsScott NashThe thing that will stay with you about this one is clearly William Holden's performance. |