
At the height of the Cold War, a Soviet spacecraft crash lands after a mission gone awry, leaving the commander as its only survivor. After a renowned Russian psychologist is brought in to evaluate the commander's mental state, it becomes clear that something dangerous may have come back to Earth with him.... (Full plot summary below)
Enjoy FREE movies and series with your Prime (USA) subscription or when you start a 30-day free trial!
At the height of the Cold War, a Soviet spacecraft crash lands after a mission gone awry, leaving the commander as its only survivor. After a renowned Russian psychologist is brought in to evaluate the commander's mental state, it becomes clear that something dangerous may have come back to Earth with him.
Leave your thoughts about Sputnik.
| RogerEbert.comMatt Zoller SeitzLuckily, the performances and characterizations add heft, and the very Russian vibe of soulful heaviness sets it apart from its American cousins. |
| UproxxVince ManciniMostly, everything in it seems designed to build and maintain suspense that carries us from scene to scene, a task it more than accomplishes. |
| Chicago TribuneMichael PhillipsThe clever and nicely gory Sputnik comes from Russia with love, slime, and an impressive lesson in efficient, low-cost pulp filmmaking. |
| The New York TimesGlenn KennyWhile Sputnik doesn’t make its substantial borrowings from other sci-fi pictures entirely new, it does juice them up enough to yield a genuinely scary and satisfying experience. |
| Wall Street JournalJoe MorgensternAll the same, strong performances, strikingly spare production design and somber cinematography convey a sense of something important going on. That’s no small achievement in what proves to be a creature feature with flair. |
| Austin ChronicleMatthew MonagleIn an era where so many horror films are anchored in the aesthetics of Eighties American cinema, Sputnik establishes itself as an especially polished work of retro-futurism. |
| Los Angeles TimesKatie WalshThe film swerves from sci-fi to horror to psychological thriller to melodrama, but in a way, it works. It’s clear Abramenko wants to serve a full-course meal of a movie, and in stretching the dynamic range of emotion he hits on moments that are at times operatic and at others somewhat soapy. But in doing so, brings a new layer of story that makes Sputnik feel epic. |
| Film ThreatAlex SavelievDespite all the flaws, Sputnik has one chief thing going for it: it holds your attention, from the first (and arguably best) twenty minutes, to the last (and arguably worst) twenty. |
| New York Magazine (Vulture)Bilge EbiriThe new Russian horror film Sputnik whipsaws between suggested horror and schlock so furiously that it turns inconsistency into a virtue. It’s a creepy chamber drama that morphs regularly into an effects-laden ick-fest. But transformation is in the film’s DNA. |
| IndieWireEric KohnIt’s an efficient, effects-driven ride with snippets of real ideas, but never quite willing to take them out of this world. |