Soi Cowboy
Soi Cowboy

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- 55/100 based on 222 votes
  • Released: 2008
  • Runtime: 117 mins
  • Director:
  • Studio: De Warrenne Pictures
  • Genres: Drama

A Thai woman tries to avoid working in the red-light district of Bangkok and seeks some security by living with a European man.... (Full plot summary below)

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Full Plot Details

A Thai woman tries to avoid working in the red-light district of Bangkok and seeks some security by living with a European man.

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Movie Reviews

Total Film - 8/10 by Carmen GrayDislocation and desperation are the twin linchpins of Brit director Thomas Clay's Thailand-set slowburner.
Time Out - 8/10 by David JenkinsHere is an artist who has gone back to the drawing board and pared down his act to deliver a stark and complex humanist message with technical brio and a broad knowledge of cinema, demonstrating real poise and originality.
Guardian - 8/10 by Peter BradshawA mysterious, hallucinatory and weirdly enthralling metaphysical essay.
Eye for Film - 6/10 by Amber WilkinsonClay doesn't want for ideas but his symbolism is in grave danger of smothering the story
Film4 - 6/10 by Anton BitelA bold experiment or a crashing bore? Clay's muted hybrid is a bit of both, in unequal measure.
Sunday Times (UK) - 4/10 by Edward PorterThere is skill, thoughtfulness and chutzpah here, but not enough to create the sort of mesmeric power that a film of this kind needs.
Observer (UK) - 4/10 by Jason SolomonsThis wilful obscurantism comes across merely as a pose, an undergraduate homage to both Antonioni and Apichatpong Weerasethakul.
Times (UK) - 4/10 by Wendy IdeSoi Cowboy, confirms Thomas Clay's arthouse cine-literacy but suggests that he might not know what to do with all the movie references that he spreads liberally through his work.
Sky Cinema - 4/10 by Rob DanielSoi Cowboy's wet concrete pacing, dialogue free scenes, and prolonged takes will test the patience of even the most understanding movie buff.
User Review - 8/10 by Phil NThomas Clays chooses to paraphrase Thai avant film genius Apichatpong Weerasetakul in this slow moving essay on the tourist trade, which in Clays opinion seem to be only a continuation of Western colonization. He uses Weerasetakuls modus operandi freely throughout: the dramatic zoom-ins, the attention to detail and the different narratives incorporated into one. Close to perfection.

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