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| Film ThreatSumner ForbesThe double-edged sword with Smile and its popularity means there may be a sell-by date after which many of the harrowing sequences become subsumed into popular culture and will no longer feel fresh upon initial viewing. This isn’t the film’s fault, but such is often the case when the public gets a hold of a work of art. See it with a crowd, and see it soon. |
| TheWrapWilliam BibbianiThis isn’t just a great horror story; it’s genuinely scary. You may be able to recognize familiar elements in its DNA, but it’s mutated into something distinct and unsettling. What a showcase of shocks. What a devilish debut. |
| PolygonTasha RobinsonNo matter how excessively the legitimate scares pile up, they’re startling and convincing. The editing and music are impressively tuned for maximum impact whenever the slow-burning tension resolves with an abrupt, ugly surprise. All of which makes Smile an efficient ride, if an unusually unrelenting one. |
| Entertainment WeeklyLeah GreenblattBacon is great fun as a girl on the verge of a nervous breakdown, chirping with increasing desperation that she's fine, and Finn is a pleasingly nervy stylist, letting the camera tilt and flip at seasick angles and ratcheting the tension as he goes. Smile is a pretty silly movie by any metric; still, it has teeth. |
| The Observer (UK)Wendy IdeThe combination of a committed central performance from the increasingly gaunt and haunted Bacon, and a jarring, tortured score, makes for an enjoyably nasty brush with the smiling face of evil. |
| The GuardianPeter BradshawThe movie is a shard of comic and cosmic spite, and the image of the malign smile carries force. |
| The PlaylistNick AllenIt doesn’t happen too often, especially from modern studio fare, but Parker Finn’s Smile is the kind of horror movie that earns the unique qualification of “genuinely scary.” |
| ReelViewsJames BerardinelliSmile represents the latest in an impressive roster of horror films that have pushed the envelope, daring to go where most cookie-cutter fright-fests of the past decade have avoided treading. This is a dark, uncompromising movie that explores serious subjects like trauma and suicide. |
| Slant MagazineRocco T. ThompsonEverything Smile is doing is familiar enough at this point to be considered old-fangled, but the striking precision of its craft sloughs away any sensations of déjà vu. |
| ColliderAlyse WaxSmile holds no surprises. No big twists. You know what you are getting going into this movie. It is predictable from the first minute. But it is an enjoyable, scary ride that is well-plotted and acted. You will know how it ends within the first five minutes of the film. But the ride getting there is well worth it. |