SLC Punk
SLC Punk

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- 74/100 based on 31,483 votes

Two punks live in Salt Lake City. The film covers their all-day routine. The realism of the character-narrated movie may be discussed. One of the punks gets ill, stays in hospital for three weeks, comes out again. Three parties are covered and one concert including a fight between punks, rednecks and others.... (Full plot summary below)

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Full Plot Details

Two punks live in Salt Lake City. The film covers their all-day routine. The realism of the character-narrated movie may be discussed. One of the punks gets ill, stays in hospital for three weeks, comes out again. Three parties are covered and one concert including a fight between punks, rednecks and others.

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Movie Reviews

Chicago Reader - 9/10 by Lisa AlspectorA hearty style of self-referential filmmaking that only adds to the persuasiveness of Lillard’s stunning performance.
Chicago Sun-Times - 8/10 by Roger Ebert[Lillard's] performance dominates the film, and he does a subtle, tricky job of being both an obnoxious punk and a kid in search of his direction in life. He's very good.
Film Journal International - 8/10 by David LutySLC Punk cannot quite reach the richer depths it grasps for, because it doesn't have the material to support the large dramatic distance Stevo has to travel.
New York Daily News - 8/10 by Jami BernardFor a while, angry young Stevo (Lillard) turns his quest for total anarchy into a grungy, giddy, randomly violent rave. Then reality creeps up and, well, it bites.
L.A. Weekly - 7/10 by Hazel-Dawn DumpertUltimately a wiser and truer film than its crass and cartoony beginnings would have us believe.
Tooele Transcript-Bulletin (Utah) - 6/10 by Audrey Rock-RichardsonA bitter, boring mess with no worthwhile message
TheFilmFile.com - 6/10 by Dustin PutmanAn assured first feature from Merendino, a filmmaker whom I look forward to his next film from.
Washington Post - 6/10 by Rita KempleyLillard, who played the squirrelly Stuart in "Scream," brings a mischievous sense of humor and an easygoing charm to his potentially unsympathetic character.
Village Voice - 6/10 by Amy TaubinMerendino's most innovative directorial strategy is to collapse present and past by having Lillard shout Stevo's reflections about his youthful rebellion directly at the camera, while the scene he's describing in the past tense takes place behind him. I know it sounds like a Brechtian affectation, but it works.
San Francisco Examiner - 6/10 by Wesley MorrisIt's handsome filmmaking that doesn't surface until the final 25 minutes during which Stevo and company's sense of marginalization achieves the palpable, emotional import that's more expressive than anything its characters' have to bitch about.

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