
A married silkworm smuggler, Herve Joncour, in 19th Century France who travels to Japan to collect his clandestine cargo. While there he spots a beautiful Japanese woman, the concubine of a local baron, with whom he becomes obsessed. Without speaking the same language, they communicate through letters until war intervenes. Their unrequited love persists however, and Herve's wife Helene begins to suspect.... (Full plot summary below)
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A married silkworm smuggler, Herve Joncour, in 19th Century France who travels to Japan to collect his clandestine cargo. While there he spots a beautiful Japanese woman, the concubine of a local baron, with whom he becomes obsessed. Without speaking the same language, they communicate through letters until war intervenes. Their unrequited love persists however, and Herve's wife Helene begins to suspect.
Leave your thoughts about Silk.
| New York PostKyle SmithAs sensuous as its title, Silk is an exquisitely felt love story that unfolds as delicately as a blooming flower. And as slowly. |
| The A.V. ClubNathan RabinSensual but profoundly silly, Silk is ultimately little more than softcore porn with arthouse trappings, a moony, dopily romantic "Red Shoe Diaries" variation for the NPR set. |
| The Globe and Mail (Toronto)Stephen ColeThough elegantly staged, Silk is badly written and indifferently cast. |
| Chicago Sun-TimesRoger EbertEverything is brought together at the end in a flash of revelation that is spectacularly underwhelming. |
| TV Guide MagazineMaitland McDonaghCinematographer Alain Dostie's stunning, painterly cinematography is the best -- and perhaps only -- reason to endure this stunted epic. |
| Seattle Post-IntelligencerBill WhiteFailing to make a lick of rational sense, Silk grasps at poetic straws. |
| Los Angeles TimesKevin CrustThough the film aspires to the epic with pretensions of deeper philosophical meaning, it ultimately settles for being the "Escape (The Piña Colada Song)" of historical romances. |
| ReelViewsJames BerardinelliBy any standards, Silk is a bad movie: pretentious, stillborn, devoid of emotion. |
| New York Daily NewsJack MathewsBy the end of Francois Gerard's plodding, uninvolving melodrama, his boredom will have nothing on yours. |
| The New York TimesStephen HoldenMr. Pitt is a reasonably photogenic specimen. But this actor, whose typical screen character is a broken, androgynous man-child, is disastrously miscast. |