
Uncle Liu brings his cousin to Shanghai to work for 'Boss,' the leader of a powerful drug empire in the 1930's. Shuisheng, a simple country boy is awed and overwhelmed by the opulence and immense wealth he is suddenly surrounded by. He is to be the attendant of Xiao Jingbao, the new mistress of 'Boss.' While he fumbles with the demands of his new role, much intrigue is going on around him, well beyond his bewildered perception. Xiao Jingbao is having a tumultuous affair, Fat ... (Full plot summary below)
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Uncle Liu brings his cousin to Shanghai to work for 'Boss,' the leader of a powerful drug empire in the 1930's. Shuisheng, a simple country boy is awed and overwhelmed by the opulence and immense wealth he is suddenly surrounded by. He is to be the attendant of Xiao Jingbao, the new mistress of 'Boss.' While he fumbles with the demands of his new role, much intrigue is going on around him, well beyond his bewildered perception. Xiao Jingbao is having a tumultuous affair, Fat Yu is starting a gang war, and 'Boss' is beginning to suspect that one of his trusted men is not loyal.
Leave your thoughts about Shanghai Triad.
| Spirituality and PracticeFrederic and Mary Ann BrussatShows how an innocent and ignorant young boy is initiated into the violent ways of a group of gangsters. |
| USA TodayMike ClarkA great gangster film...Shanghai Triad is one of the lushest-looking, most stunningly photographed (by Lu Yue) films of the year, but its depiction of unabashed material splendor is instantly eclipsed by the natural beauty of this island retreat with its swaying pampas grass, magnificent skies and modest structures of simple beauty. |
| Chicago TribuneMichael WilmingtonThere isn't a moment in Shanghai Triad that celebrates or revels in violence, and by movie's end, Zhang has portrayed the Shanghai underworld as a place of irredeemable evil. |
| Boston GlobeJay CarrHowever endlessly film makers around the world have told that story, Mr. Zhang reimagines it with immense grace and turns it into a deeply felt tragedy. |
| Baltimore SunStephen HunterThe film represents a retreat from the explicitly political concerns of TO LIVE (which landed the director in serious trouble with P.R.C. authorities), but there's a distinct satirical subtext underlying Zhang's Chinese Gangland, a place of limitless greed, self-destructive ritual and fatal hubris. |
| VarietyDerek ElleyTriad oozes a confidence that carries the viewer almost without pause to its shocking climax and ironic close. |
| Entertainment WeeklyLisa SchwarzbaumAlso starring: the landscape, beautifully photographed by cinematographer Lu Yue. The look is rosily glamorous in sophisticated Shanghai, and mistily poetic on the quiet island to which the mobster and his party escape. |
| DVDLaserDouglas Prattthe characters are reasonably interesting and the plot has sufficient drama to entertain |
| New York Daily NewsJami BernardUnfortunately, with its faintly uneven pacing and straggling structure, the film lacks depth or narrative economy. That said, Zhang's use of colour is as vivid as ever, his stylised depiction of violence is mostly effective, and Gong Li is gloriously watchable. |
| San Francisco ChronicleEdward GuthmannIt's a strong film, but apart from its stunning images, it doesn't linger in your mind's eye the way you would like it to. |