Séraphine
Séraphine

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- 74/100 based on 6,430 votes

In 1914, Wilhelm Uhde, a famous German art collector, rents an apartment in the town of Senlis, forty kilometers away from Paris, in order to write and to take a rest from the hectic life he has been living in the capital. The cleaning lady is a rather rough-and-ready forty-year-old woman who is the laughing stock of others. One day, Wilhelm who has been invited by his landlady, notices a small painting lying about in her living room. He is stunned to learn that the artist is... (Full plot summary below)

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Full Plot Details

In 1914, Wilhelm Uhde, a famous German art collector, rents an apartment in the town of Senlis, forty kilometers away from Paris, in order to write and to take a rest from the hectic life he has been living in the capital. The cleaning lady is a rather rough-and-ready forty-year-old woman who is the laughing stock of others. One day, Wilhelm who has been invited by his landlady, notices a small painting lying about in her living room. He is stunned to learn that the artist is no other than Séraphine.

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Movie Reviews

Time Out - 10/10 by Trevor JohnstonThis utterly beguiling biopic about a cleaning lady with the artistic gifts of a Van Gogh is just a bit special.
Chicago Sun-Times - 10/10 by Roger EbertIt "explains" nothing but feels everything. It reminds me of two other films: Bresson's "Mouchette," about a poor girl victimized by a village, and Karen Gehre's "Begging Naked," shown at Ebertfest this year, about a woman whose art is prized even as she lives in Central Park.
indieWire - 10/10 by Leo GoldsmithRelies heavily on Moreau's gripping, continually surprising performance to effectively convey the oracular urgency and fractured, Dionysian mentality of Seraphine de Senlis and her work.
The Stranger (Seattle, WA) - 9/10 by Jon FroschThoughtful as it is, the movie lacks the poetry or point of view to see its idea through with force.
Boxoffice Magazine - 9/10 by John P. McCarthyA list of the striking images that Provost composes would be long and enticing, even though words cannot do them or the movie justice.
Washington Times - 9/10 by Kelly Jane TorranceAlthough slowly told, Seraphine never drags.
Time Out Chicago - 9/10 by Joshua RothkopfLike Amadeus, Séraphine wants to get its hands dirty with the work itself. The movie understands creative types and their whims, even if it tips toward a long-telegraphed retribution.
AV Club - 9/10 by Noel MurraySéraphine is far more powerful when it lingers on Louis at work.
The New Republic - 9/10 by Stanley KauffmannProvost has made a picture that is almost biblical in its simplicity and its passion.
Antagony & Ecstasy - 9/10 by Tim BraytonAn uncommonly moving and wonderful experience: it is a cinematic depiction of a mindset, and a quiet and especially internal mindset at that.

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Séraphine