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Leave your thoughts about Selena Gomez: My Mind & Me.
| The New York TimesChris AzzopardiAn honest portrait study of stardom and mental illness, the film offers a hopeful catharsis: How, when we reveal our hardest truths, we can heal together. |
| IndieWireDavid EhrlichIt’s not a movie about healing so much as a movie about learning to hurt in the healthiest way possible. And if its diaristic, inside-out approach has the strange effect of keeping us at a distance . . . it also invites its most vulnerable young viewers to appreciate that even their favorite superstar is still fighting to be closer to herself. |
| VarietyChris WillmanIt’s far from the first music doc to reveal that it can be lonely at the top, but it is among the few to convey that there are no easy answers for that when mental illness is at the root. Of all the portrayals of pop superstars that have been produced in-house in recent years, “My Mind & Me” is probably the one with the least celebratory third act … which is something to celebrate. |
| We Got This CoveredFrancisca TinocoThe documentary, although formulaic, and punctuated by tacky sequences of Gomez narrating passages from her journal over performative images that feign depth, is, in its majority, an uninhibited look into the challenges of dealing with mental illness, which is obviously exacerbated by a life in the public eye. |
| Wall Street JournalJohn AndersonThe worthwhile Selena Gomez: My Mind & Me explains much, about the star, the culture and maybe the moment. |
| Los Angeles TimesNoel MurrayThere’s a tear-jerking moment roughly every five to 10 minutes in this movie, as Gomez reveals her essential dilemma of being someone who loves making fans happy and loves being creative but lives in fear — as many people do — of disappointing their benefactors and loved ones. |
| The Hollywood ReporterLovia GyarkyeUnlike other music documentaries (a popular format, as of late, for recalibrating celebrity images), Gomez’s project operates at a rawer, grittier register. It’s textured by the 30-year-old star’s relative youth and her attempts to communicate honestly, instead of perfectly. |
| TheWrapKatie WalshWhat comes through loud and clear in “My Mind & Me” is Gomez using the film to declare her priorities, and her carefully controlled revelations are a chance to write her own story. |
| The GuardianAdrian HortonKeshishian, as in Truth or Dare, works in moments which complicates Gomez’s angelic image: being short with a too-glib interviewer, refusing to listen to a friend, reacting poorly to genuine concern. My Mind & Me is strongest, and bravest, in moments like this, illustrating Gomez’s humanity through universal capacities we don’t want recorded. |
| Movie NationRoger MooreAs much sympathy as she deserves, Keshishian’s film doesn’t find nearly enough drama in Gomez’s crises to separate this musician profile doc from the many others we’ve seen about Katy Perry and a legion of others over the decades. The point of view is too narrow, the “outside” voices entirely star-approved insiders. |
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