Rushlights
Rushlights

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- 56/100 based on 3,298 votes

"Rushlights" revolves around Billy Brody (Josh Henderson) and Sarah (Haley Webb), two delinquent young lovers from the suburbs of Los Angeles, traveling to a small Texas town to falsely claim a dead friend's inheritance. The two teens, haunted by their own dubious pasts while pursuing their scam, wind up in a nightmare of greed and betrayal when confronted with the twisted and bizarre underworld of Tremo, TX - population 2870.... (Full plot summary below)

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Full Plot Details

"Rushlights" revolves around Billy Brody (Josh Henderson) and Sarah (Haley Webb), two delinquent young lovers from the suburbs of Los Angeles, traveling to a small Texas town to falsely claim a dead friend's inheritance. The two teens, haunted by their own dubious pasts while pursuing their scam, wind up in a nightmare of greed and betrayal when confronted with the twisted and bizarre underworld of Tremo, TX - population 2870.

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Movie Reviews

MediaMikes - 8/10 by Michael A. SmithBased on a true story, "Rushlights" could have been a very standard, by the book imitation noir film. Instead, Stutz packs it with genuine surprises and emotion.
Blu-ray.com - 7/10 by Brian OrndorfIt's a lousy ending stapled to an underwhelming picture, leaving Rushlights more of a bungled card trick than a steamy, scary ride of intimidation.
AV Club - 7/10 by Ignatiy VishnevetskyUnabashedly pulpy, Rushlights brings to mind the noir cheapies churned out by the studios of Hollywood’s Poverty Row in the early 1950s. It has a few of the better qualities of sub-B noir—above-average camerawork, a rogues gallery of bit players — and all of the flaws.
Mark Leeper's Reviews - 6/10 by Mark R. LeeperWith more engaging leads this film might be one that people would want to see a second time--just to get straight all that happened.
Film Threat - 6/10 by Elias SavadaStutz has crafted a decent thriller, actually. A lesser-man's Body Heat.
Eye for Film - 6/10 by Jennie KermodeThe story is competently told, the direction suits the mood, and the performances are convincing even if the characters aren't very deep.
One Guy's Opinion - 6/10 by Frank SwietekA genre exercise that shows some promise, but descends from pleasant obfuscation into patent absurdity.
Movie Metropolis - 6/10 by James PlathIn this film about murder, the last 10 minutes are enough to kill me.
Minneapolis Star Tribune - 4/10 by Kristin TillotsonIt all dwindles into "Who cares" long before the end of the road.
Film Racket - 4/10 by Josh BellDrifts glumly from one ludicrous narrative development to the next.

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