
For over 20 years, Jimmy Testagross has lived his childhood dream: being a roadie for his childhood heroes, Blue Oyster Cult. But the band's Arena-Rock glory days are a distant memory. County fairs and club gigs pay the bills. And Jimmy has become a casualty of these leaner times. With no place to go, no job prospects, and no real skills outside of being a roadie, Jimmy needs to regroup. So he returns to his childhood home in Queens, Ny. There, he revisits old relationships: ... (Full plot summary below)
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For over 20 years, Jimmy Testagross has lived his childhood dream: being a roadie for his childhood heroes, Blue Oyster Cult. But the band's Arena-Rock glory days are a distant memory. County fairs and club gigs pay the bills. And Jimmy has become a casualty of these leaner times. With no place to go, no job prospects, and no real skills outside of being a roadie, Jimmy needs to regroup. So he returns to his childhood home in Queens, Ny. There, he revisits old relationships: his ailing, widower mom, a high school crush, a former nemesis and, most importantly, his relationship with himself. Jimmy, the middle-aged man-child, has never grown up. He still carries the resentments and frustrations of his youth, and has allowed them to fester and define who and what he is. Confronted with his mother's illness, Jimmy has a choice: let go of the past and take responsibility for both himself and the woman who raised and now needs him. Or continue to live a life of lies and frustration.
Leave your thoughts about Roadie.
| San Francisco ChronicleWalter AddiegoA lot of what takes place in Roadie feels overly familiar, and the film could have been a wallow in pathos except for the performances, especially that of Eldard. |
| New York Daily NewsElizabeth WeitzmanMichael Cuesta's perfectly-pitched indie captures the pain of arrested development with so much empathy and insight, you can't help but root for the unmoored, overgrown adolescent at its center. |
| Time OutJoshua RothkopfIt's here, in a keenly captured Forest Hills, Queens, land of low-lit bars and manicured lawns, that Roadie soars as a gently comic drama about living the dream - or trying to. |
| Village VoiceNick PinkertonEldard, with eyes projecting adolescent vulnerability and a body lost to awkward midlife chub, is enough to redeem Cuesta's indie commonplaces. |
| VarietyJohn AndersonRoadie features some wonderfully evocative music out of its characters' collective past (local legends the Good Rats, for instance) but like Jimmy himself, it takes a bit of a push to get the picture going, which it gets, both emotionally and dramatically, thanks largely to its ensemble. |
| New York PostKyle SmithSoulfully directed by Michael Cuesta ("L.I.E."), Roadie is short on narrative momentum, but it's a perfectly attuned character study of this rock relic and his middle-aged sorrows. |
| The New York TimesManohla DargisOne problem is Jimmy and his mother's dialogue, which continues in the same clichéd vein as the opening scenes of him alone yelling and yammering into his cell. |
| SalonAndrew O'HehirI simultaneously want to endorse its ambition and nerve and report that it's a very mixed bag. |
| The A.V. ClubAlison WillmoreAside from the entertaining specificity about its setting and its protagonist's profession, Roadie is as disappointingly rote as its standard setup suggests. |
| Slant MagazineNick SchagerA slice of slight character-driven conventionality in which directorial sensitivity and drama rooted in tense conversations and intermittent blow-ups prove incapable of imparting depth to a tale that plays like a series of simplistic stock gestures. |