
Aging ex-marshal Steve Judd is hired by a bank to transport a gold shipment through dangerous territory. He hires an old partner, Gil Westrum, and his young protege Heck to assist him. Steve doesn't know, however, that Gil and Heck plan to steal the gold, with or without Steve's help. On the trail, the three get involved in a young woman's desire to escape first from her father, then from her fiance and his dangerously psychotic brothers.... (Full plot summary below)
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Aging ex-marshal Steve Judd is hired by a bank to transport a gold shipment through dangerous territory. He hires an old partner, Gil Westrum, and his young protege Heck to assist him. Steve doesn't know, however, that Gil and Heck plan to steal the gold, with or without Steve's help. On the trail, the three get involved in a young woman's desire to escape first from her father, then from her fiance and his dangerously psychotic brothers.
Leave your thoughts about Ride the High Country.
| Los Angeles TimesMichael WilmingtonSome of the hallmarks of Peckinpah's style—most notably the moving POV shots, quick cuts, and off-center close-ups—manifest even in the colorful, smooth High Country. |
| Austin ChronicleMichael SragowWhen you see a great Peckinpah film like his second feature, Ride the High Country (1962), you feel that the director has found a way to tell a story that lays his own soul across the screen. This movie celebrates a hero of self-control. But each frame is energized with a sense of what that self-control has cost the man in love, friendship, and glory. |
| culturevulture.netTom BlockA film of abundant visual beauty through whose heart blows a chill valedictory breeze. |
| Ozus' World Movie ReviewsDennis SchwartzA superior Western featuring two of that genre's greats, Joel McCrea and Randolph Scott, who were both in their 60s at the time... |
| The New YorkerPauline KaelTake two cornbelt veterans like Mr. McCrea and Mr. Scott, give them a taut, tangy script (by N. B. Stone Jr.) a trim supporting cast and a good director (Sam Peckinpah), and you have the most disarming little horse opera in months. |
| Filmcritic.comDavid BezansonRide the High Country vigorously and colorfully brings alive the Old West of cinematic myth. |
| New York TimesBosley CrowtherSymbols of a waning era who eventually clash over right and wrong, Messrs. McCrea and Scott mesh perfectly, with the latter getting the drollest lines -- and there are plenty. |
| The GuardianPaul HowlettIt is Sam Peckinpah’s direction, however, that gives the film greatest artistry. He gives N. B. Stone Jr.’s script a measure beyond its adequacy, instilling bright moments of sharp humor and an overall significant empathetic flavor. |
| Combustible CelluloidJeffrey M. AndersonUsing everything that came before and predicting everything that came after, Ride the High Country can now be seen as the lynchpin in the history of the entire Western genre. |
| User ReviewBecca WOne of the great dark side of the western movies. |