Margaret's life is in order. She is capable, disciplined, and successful. Everything is under control. That is, until David returns, carrying with him the horrors of Margaret's past.... (Full plot summary below)
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Margaret's life is in order. She is capable, disciplined, and successful. Everything is under control. That is, until David returns, carrying with him the horrors of Margaret's past.
Leave your thoughts about Resurrection.
| The PlaylistRodrigo PerezResurrection is emotionally searing, wildly unhinged and maybe even a little batshit crazy. However, as anchored by its two fiercely committed and convincing lead performances (Rebecca Hall and Tim Roth), a menacingly disquieting tone, and a frightening ambiguity about a disintegrating mental state, Resurrection is a deeply distressing and compelling drama that will shock and shake you to your core. |
| ColliderTherese LacsonThe conclusion might leave some throwing their hands up in frustration and others applauding its audacity, but it's an ending that will definitely leave you with something to talk about and ponder long after the credits finish rolling. |
| Film ThreatAlan NgResurrection is a brilliant thriller that rests on the actors’ remarkable performances without the need for typical thriller elements nor the need to resort to torture porn. |
| The New York TimesJeannette CatsoulisWhile Resurrection harbors more than one theme — empty-nest anxieties, toxic men and the long tail of their manipulations — the movie feels more like an unhinged test of how far into the loonyverse the audience can be persuaded to venture. |
| TheWrapWilliam BibbianiResurrection pushes about as far as it can possibly go, and the incredibly game cast supplies much of the pressure. |
| Paste MagazineJacob OllerWriter/director Andrew Semans’ sophomore feature pulses with black-hearted humor and cruelties so odd as to be undeniably believable, but it’s Hall’s expressive transformation that drives the film’s blood into its final manic fever. |
| Time OutLou ThomasWithout exactly revolutionising the form, Semans’s debut delivers an unsettling tale of psychological torment and the kind of creeping dread and shocking climax that hallmarks some of the best horror. |
| IndieWireDavid EhrlichSemans’ film stands out for how purposefully it seems to walk the line between schlocky crap and serious cinema. |
| The A.V. ClubJordan HoffmanMovies like Resurrection are terrific because they blur the line between how you’d act in reality and what’s appropriate for a film. |
| Austin ChronicleJenny NulfResurrection nearly nails it – it’s masterful in its body horror elements and its creeping anxiety is crafted effortlessly – but the film’s final moments pull the rug, failing to twist the knife in the gut, sticking the kill. |
