
In this study of Generation X manners, Lelaina Pierce (Winona Ryder), the valedictorian of her college class, camcords her friends in a mock documentary of posteducation life. Troy Dyer (Ethan Hawke) is her best friend, a perpetually unemployed musical slacker. Vickie Miner (Janeane Garofalo) is a manager at the Gap who worries about the results of an A.I.D.S. test, while Sammy Gray (Steve Zahn) has problems grappling with his sexuality. When Lelaina meets Michael Grates (Ben... (Full plot summary below)
Enjoy FREE movies and series with your Prime (USA) subscription or when you start a 30-day free trial!
Links compiled using automated software. Availability of offers subject to change / might be region specific / out of date.
In this study of Generation X manners, Lelaina Pierce (Winona Ryder), the valedictorian of her college class, camcords her friends in a mock documentary of posteducation life. Troy Dyer (Ethan Hawke) is her best friend, a perpetually unemployed musical slacker. Vickie Miner (Janeane Garofalo) is a manager at the Gap who worries about the results of an A.I.D.S. test, while Sammy Gray (Steve Zahn) has problems grappling with his sexuality. When Lelaina meets Michael Grates (Ben Stiller), an earnest video executive who takes her homemade video to his MTV-like station, she must decide what she values - the materialism of yuppie Michael or the philosophical musings of Troy.
Leave your thoughts about Reality Bites.
| San Francisco ChronicleEdward GuthmannIt takes a spectacular cast to pull off this kind of meandering romantic comedy, and Reality Bites couldn't have done better. |
| Entertainment WeeklyOwen GleibermanRyder, good as she was in The Age of Innocence, gives her first true star performance here. Beneath her crisp, postfeminist manner, Lelaina is bristling with confusion, and Ryder lets you read every crosscurrent of temptation and anxiety, the way her tentative search for love slowly grows into a restless hunger. Yearning, hilarious, lost within their precocious self-awareness, these slackers have soul. |
| NewsweekDavid AnsenRyder, Hawke, Stiller and Garofalo turn these paradigms into wonderfully tasty characters. Written with verve and played with grace, Reality Bites is too smart to pass itself off as a definitive statement, but it gets the details delightfully right. |
| Radio TimesDavid ParkinsonFor all its faults, this still has moments of hip charm. |
| Boston GlobeJay CarrBut if "Reality" is full of twentysomething Esperanto, it's perfectly understandable -- and enjoyable -- to anyone who speaks humor. While its age ceiling seems a little low at times (at least, for this old man), the comedy constantly breaks through. There's a rousing, engaging spirit on the loose, more than emphasized by 32 songs on the soundtrack. This is an MTV-era movie: If you don't get it, as they say of a certain newspaper, you don't get it. |
| Austin ChronicleMarc SavlovIt's Stiller's knowledgeable use of these smaller touches that (along with the excellent cast -- it's great to see Winona relinquishing period gowns and back where she can do some real damage) pushes the film along a solid, fresh line and toward its admittedly Hollywood conclusion. Stiller and company imbue their film with an honest, sarcastic wit that's all too familiar: apparently, somebody's been filming our lives. Does this mean we'll all be getting royalties? |
| Orlando SentinelJay BoyarAmong the movie's strengths are the performances, especially that of Ryder, who comes across as bright, beautiful and more delicate than ever before. The lead roles in this film are the sorts of roles that she and Hawke really ought to be playing ones that allow their contemporary vibes to work for them. The film's shortcomings are those of youth and with one exception they are easily forgiven. |
| Deseret News (Salt Lake City)Chris HicksIt is Garofalo who steals the show, demonstrating an enormously ingratiating likability on the screen. |
| New TimesLuke Y. ThompsonThis movie bites. Ben Stiller should stick to acting. |
| EmanuelLevy.ComEmanuel LevyBen Stiller's feature directorial debut is a zeitgeust comedy, whose significance is more sociological than cinematic--It's "The Big Chill" for the twentysomething crowd in the Age of Clinton and AIDS. |