
Obsessed with the idea of overcoming the obstacle of death and determined to vindicate himself by backing up his theory, the ambitious medical student, Herbert West, arrives in New England, after the horrific incident at the Institute of Medicine in Switzerland. Before long, Herbert will pick up where he left off--at first, experimenting with dead feline tissue, and then, with fresh human cadavers--talking his sceptic roommate, Dan Cain, into joining his audacious project. In... (Full plot summary below)
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Obsessed with the idea of overcoming the obstacle of death and determined to vindicate himself by backing up his theory, the ambitious medical student, Herbert West, arrives in New England, after the horrific incident at the Institute of Medicine in Switzerland. Before long, Herbert will pick up where he left off--at first, experimenting with dead feline tissue, and then, with fresh human cadavers--talking his sceptic roommate, Dan Cain, into joining his audacious project. Inevitably, as the two young scientists burrow deeper and deeper into uncharted territories, the campus will start brimming with West's reanimated corpses, catching the eye of his arch-nemesis, Dr Hill, who yearns to take credit for this astounding discovery. The dead will rise again, even with a bit of help; however, can the young re-animator harness the power of his phosphorescent green reagent?
Leave your thoughts about Re-Animator.
| Los Angeles TimesKevin ThomasIt's simply the best, funniest Grand Guignol horror picture to come along in ages. |
| The DissolveKeith PhippsA deft, funny, fearless, and gloriously tasteless mix of horror and comedy, Re-Animator proves that entertainment value trumps virtually every other concern. |
| Slant MagazineJeremiah KippIt is almost as though these filmmakers are afraid they’ll never get the chance to make another one, and Re-Animator doesn’t hesitate in being an almost operatic, larger than life comedy of splatter. While it paints with a big (red) brush, it is never boring. |
| The New YorkerPauline KaelRe-Animator is splatter heaven. Based on the sci-fi novel by H.P. Lovecraft, Re-Animator's gore is exceeded only by its wit. Not since the heyday of Roger Corman, perhaps, have filmmakers had so much fun with an exploitation movie. |
| IGNRich SanchezThe script is very clever, funny and tightly written, and manages to avoid almost every horror movie cliche. |
| EmpireMark DinningRe-Animator remains a splashy hark back to the glorious 80s love affair with all-things bloody — to the point that Gordon was convinced he'd used more fake blood than anyone else in the history of horror. |
| The New York TimesJanet MaslinRe-Animator has a fast pace and a good deal of grisly vitality. It even has a sense of humor, albeit one that would be lost on 99.9 percent of any ordinary moviegoing crowd...All of this, ingenious as it may be and much as it will redound to Mr. Gordon's credit in hard-core horror circles, is absolutely to be avoided by anyone not in the mood for a major bloodbath. |
| Chicago Sun-TimesRoger EbertOne of the pleasures of the movies, however, is to find a movie that chooses a disreputable genre and then tries with all its might to transcend the genre, to go over the top into some kind of artistic vision, however weird. Stuart Gordon's Re-Animator is a pleasure like that, a frankly gory horror movie that finds a rhythm and a style that make it work in a cockeyed, offbeat sort of way. |
| Chicago TribuneGene SiskelAnd yet if Re-Animator offers only a few laughs, that still puts it smiles ahead of George Romero`s awful ''Return of the Dead,'' the third in his zombie series, which suffered from tired blood. At least director Gordon`s ghoulies drool on naked women and decapitate each other with shovels. Hoe, hoe, hoe. |
| Chicago ReaderDave KehrLudicrous and inept, this low-budget 1985 splatter film directed by former Chicagoan Stuart Gordon tries to compensate for its complete failure to establish even a sliver of credibility by inflating the usual quotient of giggly camp humor and squishy gore effects...It's this kind of flat-footed stuff that gives garbage a bad name. |