
Tom Mullen is a millionaire, he built his fortune by working hard. Along the way he learned how to play the game. He has a great family. One day his son is kidnapped. He is willing to pay the ransom but decides to call in the FBI, who manages to go into his home secretly. When he goes to make the drop something goes wrong. The kidnapper calls him again and reschedules it. On the way Mullen decides not to go and appears on TV saying that the ransom he was going to give to the ... (Full plot summary below)
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Tom Mullen is a millionaire, he built his fortune by working hard. Along the way he learned how to play the game. He has a great family. One day his son is kidnapped. He is willing to pay the ransom but decides to call in the FBI, who manages to go into his home secretly. When he goes to make the drop something goes wrong. The kidnapper calls him again and reschedules it. On the way Mullen decides not to go and appears on TV saying that the ransom he was going to give to the kidnapper is now a bounty on the kidnapper.
Leave your thoughts about Ransom.
| The New York TimesElvis MitchellMr. Howard has made Ransom in the same clean, swift, logical style that sent his "Apollo 13" into orbit, resulting in a spellbinding crime tale that delivers surprises right down to the wire. |
| Salon.comCharles TaylorThe 1996 kidnap drama Ransom traverses the parameters of public life in America, from the image public figures present to us to the image they never intended us to see. Neither one tells the whole truth. Luckily, Ransom isn't content with surfaces.. |
| VarietyTodd McCarthyAlthough the story is built around the automatically emotional situation of an imperiled kid, scripters Richard Price (who appears briefly as an uncomfortably handcuffed victim of Sinise in the early going) and Alexander Ignon and director Ron Howard largely steer clear of milking the easy melodrama. |
| TimeRichard SchickelIts major sin--a certain ineluctable improbability--is pretty much offset by the moments of winsome humanity Gibson finds for his freebooter; by the rich, nicely tuned portrayals of the other actors; and by director Ron Howard's smoothly professional mastery of yet another genre that is new to him. |
| Chicago Sun-TimesRoger EbertThe movie would have benefitted from a tight rewrite (it is too ambitious in including plot threads it doesn't have time to deal with), but Gibson's strong central performance speeds it along. |
| ReelViewsJames BerardinelliRansom isn't a bad thriller, it's just not a great one. There's a little too much pointless running around, a subplot that leads nowhere, and a certain creeping predictability that argues for a shorter running length. |
| Rolling StonePeter TraversSlick thrills and the star's blue eyes are enough to make Ransom the fall's monster hit. Instead, Howard and Gibson stake out a Moclock side in all of us that won't be banished, not even by a happy ending. I'll be damned. |
| TV Guide MagazineMaitland McDonaghUntil the disappointingly conventional ending, in which dad and the head baddie go it mano a mano on the streets, this dark drama -- based on a 1956 Glenn Ford picture of the same name -- negotiates its narrative twists and turns with professional aplomb, even daring to make the hero an arrogant schmuck. |
| USA TodayMike ClarkThere are more climaxes in here than in a Swedish blue movie. This is not to say you won't be thrilled, charged up and put through the ringer at times, but your intelligence will need to be shoved under your seat like warm, flat soda. |
| San Francisco ExaminerBarbara ShulgasserRansom is every bit as taut and expertly directed, and it's another in the emergency genre, one in which Howard excels. |