
Two Puerto Rican NYPD detectives head to Paris to track down a stolen handbag.... (Full plot summary below)
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Two Puerto Rican NYPD detectives head to Paris to track down a stolen handbag.
Leave your thoughts about Puerto Ricans in Paris.
| AARP Movies for GrownupsBill NewcottThere's the germ of a very good action-comedy franchise in Puerto Ricans in Paris...A tighter script, a more urgent mystery and a bit more connection between the stars would have come in handy. |
| CinemalogueTodd JorgensonAt least the title accurately describes the culture-clash shenanigans in this lackluster low-budget comedy. |
| AV ClubJesse HassengerGuzmán has been a delightful presence in countless movies over the years, and it’s neat to see him take on an unambiguously leading role, especially one focusing on two Puerto Rican characters. But the movie’s Luis is a surprisingly dull Ugly American. |
| Fort Worth Star-Telegram/DFW.comCary DarlingLuis Guzman is an instantly recognizable character actor who deserves his shot at being the face of a film. It's just unfortunate that the film turns out to be the lethargic and rarely funny fish-out-of-American-water comedy Puerto Ricans in Paris. |
| Movie NationRoger MooreGuzman makes even the most trite moment — hailing a taxi in oh-so-tolerant Paris — amusing. |
| San Diego ReaderScott MarksYes, it's predictable. Of course, it follows a formula. But damn if this isn't Guzman's show. |
| Common Sense MediaSandie Angulo ChenCulture-clash buddy comedy has some crude humor, gun use. |
| Moveable FestStephen SaitoWhile the detective duo's plans to cruise on charm may backfire at times, the same can't be said for the film which, given the room to breathe, is quite the pleasant diversion. |
| Fort Worth WeeklyKristian M. LinWhy in the world do the filmmakers go to the trouble of casting Rosario Dawson and Rosie Perez as the detectives' significant others and then leave them in the States away from all the hijinks? |
| Arizona RepublicBill GoodykoontzA movie with a title like Puerto Ricans in Paris comes with certain expectations. Low ones. Thanks to the efforts of Luis Guzman — and they are mighty — Ian Edelman's slight film manages to rise above them. Not by much, but above them, still. |