
"PSYCH-BURN was what musicians call a contract-breaker. ABC had given us some coin to make a few short films for a TV pilot. LOVE-IN TONITE was to be a psychedelic rock variety show with live performances, skits and whatnot to cash in on the emerging hippie demographic. Even pre-Disney, the network was riddled with a bunch of out-of-touch, pencil-pushing buffoons, so I quickly realized the show would be a disaster. Imagine if MIDNIGHT SPECIAL was produced by Aaron Spelling. T... (Full plot summary below)
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"PSYCH-BURN was what musicians call a contract-breaker. ABC had given us some coin to make a few short films for a TV pilot. LOVE-IN TONITE was to be a psychedelic rock variety show with live performances, skits and whatnot to cash in on the emerging hippie demographic. Even pre-Disney, the network was riddled with a bunch of out-of-touch, pencil-pushing buffoons, so I quickly realized the show would be a disaster. Imagine if MIDNIGHT SPECIAL was produced by Aaron Spelling. Then cast Charles Nelson Reilly as emcee. That would have been a far more lively show than LOVE-IN TONITE. So I decided to deliver the suits a farewell kick-in-the-butt called PSYCH-BURN. The best part was that they presented my film sight unseen at a board meeting about the new Fall Season. I heard some heads rolled over that one." - J.X.
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