Private Lives
Private Lives

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- 67/100 based on 1,280 votes

Elyot and Sibyl are being married in a big church ceremony. Amanda and Victor are being married by a French Justice of the Peace. Both couples go to a hotel on the same day and are put in adjoining rooms with adjoining terraces. Things go fine until Amanda sees her former husband Elyot on the adjacent terrace. While they both pretend to be happy, both make plans to leave, but their spouses do not want to leave as it is their respective honeymoons. So the other spouses each go... (Full plot summary below)

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Full Plot Details

Elyot and Sibyl are being married in a big church ceremony. Amanda and Victor are being married by a French Justice of the Peace. Both couples go to a hotel on the same day and are put in adjoining rooms with adjoining terraces. Things go fine until Amanda sees her former husband Elyot on the adjacent terrace. While they both pretend to be happy, both make plans to leave, but their spouses do not want to leave as it is their respective honeymoons. So the other spouses each go down to the bar. This leaves Elyot and Amanda together and they reminisce. Before long, the sparks again fly and they both decide to leave together to the Mountains of Switzerland. They love, they bicker, they fight, they stop. Then it begins over and over. Then Victor and Sibyl show up at their chalet.

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Movie Reviews

New Yorker - 4/10 by Pauline KaelAn early talkie attempt at glittering theatrical sophistication-and, somehow, in its own terms, it works.
User Review - 10/10 by James HEasily my favorite comedy from the 30's. I love Noel Coward and this play/film is one of his best imho. Gotta love Norma Shearer and her tantrums ! LOL
User Review - 6/10 by Antonius B'Private Lives' starts simply enough, with Norma Shearer together with her new husband after having been divorced from Robert Montgomery, and him together with his new wife. As fate (or playwright Noel Coward) would have it, they happen to end up spending their honeymoons in adjoining suites. I suppose you can imagine what comes next as their love is rekindled, but what happens beyond that is a little bit of a surprise. It feels like a 1931 version of 'Whose Afraid of Virginia Woolf?', though without the same weight. Shearer is natural and plays 'exasperated' well, but she overacts at others times, and Montgomery is similarly uneven. They do have some level of chemistry, and the best scene that has them worked up to near violence (her hitting him over the head with a record, him slapping her, her running to the couch to bury her head and kicking her legs) is probably the best of the movie, but even that has an air or ridiculousness about it, meaning it hasn't aged terribly well. Their co-stars, Reginald Denny and Una Merkel are bland and unappealing. The theme is timeless, the difficulty of staying happy in relationships, and the danger of thinking the grass is always greener. There are some nice moments, such as when Shearer is expounding on the wonders of travel, saying she loves "arriving at strange places, meeting strange people, and eating strange food", and then Montgomery quips, "yes, and making strange noises afterwards". It is also risqué in some parts, such as this exchange early on: Denny: He struck you once, didn't he? Shearer (smiling): Oh, more than once. Denny (concerned): where? Shearer (smiling and raising an eyebrow): Several places... For every element I found I liked, there was an equally unappealing element, and in this case I suppose Montgomery's line that "certain women should be struck regularly, like gongs" later in the movie is that. It's not awful, but the movie gets tedious with all of the bickering, and I found myself happy when it was over.
User Review - 6/10 by Devin DI really liked the performances by Narma Shearer and Robert Montgomery, father of Elizabeth Montgomery...
User Review - 6/10 by Gregory Wvery good version of coward play-amazing cast.

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Private Lives