
1976. Chris Cahill and Torry Skinner are US national caliber track and field athletes, Chris in the 100 meter hurdles, and Torry in the pentathlon. Chris has the natural ability to be great but she doesn't possess the confidence or drive, while Torry, who has less natural ability, psychologically knows what it takes to be great, leading to Torry making the Olympic team finishing second in her event, while Chris has a disastrous Olympic trial. Torry can see the potential in Ch... (Full plot summary below)
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1976. Chris Cahill and Torry Skinner are US national caliber track and field athletes, Chris in the 100 meter hurdles, and Torry in the pentathlon. Chris has the natural ability to be great but she doesn't possess the confidence or drive, while Torry, who has less natural ability, psychologically knows what it takes to be great, leading to Torry making the Olympic team finishing second in her event, while Chris has a disastrous Olympic trial. Torry can see the potential in Chris, and tries to convince her coach at Cal Poly, Terry Tingloff, to coach Chris, Terry who will only allow Chris to train with the team without his guidance in he only having seen her disastrous performance at the trials. Although not ideal in that no scholarship money is involved, Chris accepts the offer against the wishes of her father, who currently coaches her. In their time together, Chris and Torry embark on a relationship, each seeing in the other what each doesn't possess, their attraction thus sexual as well as emotional. Eventually, Terry does see in Chris what Torry saw from the start, he who not only decides to train her, but convinces her that the event in which she should compete is the pentathlon in possessing the strength, speed and flexibility to be that all around athlete. Terry in particular cannot see a friendship let alone a sexual relationship exist between the two women who are now in competition, especially in the lead up to the 1980 Olympic trials. Through the ups and downs of both their friendship and sexual relationship, Chris and Torry may demonstrate what it means to be one's own personal best, especially in an environment where winning seems to be the goal at all cost.
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| Time OutDerek AdamsThe sort of nerve required to produce an excellent screenplay like Chinatown seems to have deserted Towne in this, his directorial debut. |
| Chicago Sun-TimesRoger EbertWhat distinguishes Personal Best is that it creates specific characters--flesh-and-blood people with interesting personalities, people I cared about. “Personal Best” also seems knowledgeable about its two subjects, which are the weather of these women's hearts, and the world of Olympic sports competition. |
| The Globe and Mail (Toronto)Jay ScottPERSONAL BEST offers a detailed, believable insider's portrait of the world of track and field. This very different sports film isn't for everyone, but patient viewers should find many small pleasures in it. |
| Film Comment MagazineChuck StephensWhich horrible Eighties haircut to choose? Regardless, you'll be rewarded with some of the most startling and texturally stunning American cinema of that largely barren zone shortly thereafter to be known as the Reagan era. Score! |
| rec.arts.movies.reviewsDragan AntulovHemingway excels in a difficult and risky role. |
| Chicago ReaderDave KehrThe characters have a fullness and vitality rare in American films of that period, but Towne has so much trouble establishing information visually that the film emerges as choppy, confused, ill-proportioned. |
| ColeSmithey.comCole Smithey[VIDEO] Although screenwriter Robert Towne's directorial debut fell largely on deaf ears when it was released in 1982 "Personal Best" remains a powerful examination of high-stakes female athletes during the late '70s... |
| Boston GlobeBruce McCabeRobert Towne's Personal Best is a flashy, hip and quite fascinating investigation into the arduous process of working out sexual identity in today's narcissistic society and culture. |
| Spirituality and PracticeFrederic and Mary Ann BrussatA robust and adventuresome film that is both tough and sentimental in its portrait of Olympic grade women athletes. |
| MovieMartyr.comJeremy HeilmanEndowed with remarkable performances, superb photography, and a clear vision of what matters to its characters, Personal Best is an underappreciated gem in a genre full of filler. |