
Follows a variety of New York characters as they navigate personal relationships and unexpected problems over the course of one day.... (Full plot summary below)
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Follows a variety of New York characters as they navigate personal relationships and unexpected problems over the course of one day.
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| Film Journal InternationalChris BarsantiOnly succeeds when it tries. And it doesn't try hard enough. |
| Chicago Cinema CircuitDaniel NavaDefa, monumentally, does for NYC what Raymond Carver did for the Pacific Northwest. This is major. |
| NerdistMichael ArbeiterPerson to Person is a lot like the New York character it celebrates: indefinable but unmistakable. |
| The A.V. ClubIgnatiy VishnevetskyIt’s a film of ephemeral pleasures, adorned in a rich variety of voices, non-verbal gestures, and speech patterns: unfussy, unrushed, at times very funny. |
| Austin ChronicleMichael AgrestaThe heart of the film, however, is the character played by Bene Coopersmith, a real-life record store owner in Red Hook, Brooklyn. |
| The Hollywood ReporterJohn DeForeThis film, looking so little like its indie contemporaries, nurtures our appreciation of small details, emotional accomplishments most films would breeze right past or bring too sharply into focus. |
| IndiewireDavid EhrlichShot in beautifully textured 16mm and told at an unhurried pace, Person to Person requires some getting used to, but once you settle into its groove the movie becomes much more than the sum of its parts. |
| Village VoiceAlan ScherstuhlPerson to Person is a gently comic slices-of-life drama, the kind where a variety of people’s conflicting, occasionally overlapping experience of the city comes together into a messy whole. |
| Los Angeles TimesKimber MyersIt’s a slight film, but it’s populated by enjoyable moments and wry observations that will appeal to fans of talky indies. |
| Moveable FestStephen SaitoIt has the warm, familiar feeling of regional cinema sharing its insatiable curiosity in observing the cultural attitude of a community. |