Pavilion of Women
Pavilion of Women

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- 58/100 based on 1,052 votes

In 1938, Ailian is the forty years old wife of a wealthy man, Mr. Wu, who belongs to the traditional Wu Family in China. In order to get rid off her sexual obligations with her husband, Ailian gives Chiuming, a very young concubine to him. Andre is an American priest and doctor who takes care of an orphanage and becomes the tutor of her eighteen years old son Fengmo Wu. Father Andre starts giving classes to Fengmo, Ailian and Chiuming. Then, two forbidden loves will rise: bet... (Full plot summary below)

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Full Plot Details

In 1938, Ailian is the forty years old wife of a wealthy man, Mr. Wu, who belongs to the traditional Wu Family in China. In order to get rid off her sexual obligations with her husband, Ailian gives Chiuming, a very young concubine to him. Andre is an American priest and doctor who takes care of an orphanage and becomes the tutor of her eighteen years old son Fengmo Wu. Father Andre starts giving classes to Fengmo, Ailian and Chiuming. Then, two forbidden loves will rise: between the priest and the first wife, and between the son and the concubine, having the invasion of China by the Japanese in a big picture.

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Movie Reviews

Village Voice - 6/10 by Michael AtkinsonYim's film is kneecapped by its soundtrack twice over.
New York Daily News - 5/10 by Jami BernardIntroduces American audiences to Luo Yan, a charismatic Chinese-born actress now living in Los Angeles. She single-handedly nurtured this project to fruition, serving as producer, co-writer and star.
Film Journal International - 5/10 by Shirley SealyThe musical score is just awful, punctuating dramatic moments with great swellings of strings, loud shatterings of cymbals.
TheMovieReport.com - 5/10 by Michael DequinaThe only importance anyone is likely to associate with this overblown melodrama is self-importance.
New Times (L.A.) - 4/10 by Andy KleinHas an awkwardness that defeats whatever emotional involvement it tries to achieve.
Boxoffice Magazine - 4/10 by Wade MajorBuck would have been proud of Pavilion of Women.
Washington Post - 3/10 by Mark JenkinsA film that was made in China but has the soul of a '50s Hollywood melodrama.
TV Guide Magazine - 3/10 by Maitland McDonaghThe locations and production design are breathtakingly beautiful. But though cast largely with Chinese actors, it was shot in English, which no doubt made business sense but almost certainly accounts for many truly awful performances.
Los Angeles Times - 3/10 by Kevin ThomasCan never rise above the melodrama of a past era, despite a splendid, impassioned portrayal by Willem Dafoe and an affecting one by Luo Yan.
The New York Times - 3/10 by Dana StevensIt might have been a satisfying if not terribly original piece of historical melodrama, but its clumsiness turns it, against its best intentions, into half-baked operatic kitsch.

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Pavilion of Women