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| Paste MagazineJacob OllerPassages is this close, painful, sexy twisting of the screws at its best, as Sachs and his frequent co-writer Mauricio Zacharias observe the havoc wreaked by a bisexual brat’s latest dalliance. |
| SlashfilmBarry LevittThis is Ira Sach's best film in years, a magnetic, emotional, and hugely watchable exploration of love and sex in the modern age. Those of us who've been following Rogowski for a while have been ready for this, and "Passages" might just be the film that makes him a superstar. |
| Slant MagazinePat BrownWhile there’s much acute pain in this compact but resonant drama, it can also be funny in a way that smacks of self-deprecation. |
| The Hollywood ReporterJon FroschWith the steadfast lack of melodrama we’ve come to expect from him, the writer-director packs more incident, life and unassuming complexity into 90 minutes than most filmmakers muster in twice that run time. |
| The PlaylistCharles BramescoAdroit casting, writing, editing, performing and costuming shade the outline of an affair to a finely sharpened emotional realism, the cycles of fighting and reconciling we’ve all seen before regaining in rawness as if we’re now the ones living through it. |
| ColliderRoss BonaimeSachs’ story comes to life thanks to these three excellent performances that aren't afraid to explore the selfishness and desires of passion, in a story that finds the power of shared pain and love. |
| The GuardianBenjamin LeeRogowski makes for a believably odious yet charming cad while Whishaw and Exarchopoulos neatly underplay their heartbreak, subtly showing the toll of putting up with someone who mistreats you and then putting up with yourself for allowing it. |
| VarietyPeter DebrugeSachs excels at investigating thorny, uncomfortable situations, and he treats all three characters fairly here, which allows audiences to decide which one they identify with. |
| Screen DailyJonathan RomneyIts dramatic heft and its stars’ upfront audacity make it a sexy proposition in every respect. |
| The New YorkerRichard BrodyThe abruptness, the willfulness, the ferocity of “Passages” reflect, more than any other film by an American director that I’ve seen in a while, the influence of Pialat. |
