
Palestinians Said and Khaled, now in young adulthood, have been lifelong friends living in Nablus in the West Bank. They have both had what they consider a difficult life, now working side-by-side in unfulfilling jobs as auto mechanics in a small garage, being unfulfilling as difficult as the jobs were to get. Those difficult lives includes feeling like they are prisoners in the West Bank, Said who has only left the region once on a medical issue when he was six. They blame a... (Full plot summary below)
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Palestinians Said and Khaled, now in young adulthood, have been lifelong friends living in Nablus in the West Bank. They have both had what they consider a difficult life, now working side-by-side in unfulfilling jobs as auto mechanics in a small garage, being unfulfilling as difficult as the jobs were to get. Those difficult lives includes feeling like they are prisoners in the West Bank, Said who has only left the region once on a medical issue when he was six. They blame all their problems on the oppression by the Israelis. As such, they have volunteered and have been accepted by a Palestinian resistance group to carry out a suicide bombing mission in Tel Aviv: after the initial response to the first bomb, the second bomb would be detonated at the same site. Following the bombing, the resistance group would release pre-taped video messages of Said and Khaled confessing to the bombing in the name of God. The mission would require Said and Khaled to cross "illegally" into Israel. They are not afraid of death in light of their deaths having some meaning, and in feeling like their lives are like being dead anyway. In the process of carrying out the mission, they end up being separated which could jeopardize not only the mission but their individual lives without their death being in the name of a cause, that is if they cannot locate each other. In this their time apart, Said and Khaled may have time to think about what they are about to do, their thoughts not only shaped by their different family histories, but Said's budding friendship/romance with a young woman named Suha, the daughter of a wealthy and famed Palestinian, she who has only recently moved back to the West Bank after years living overseas.
Leave your thoughts about Paradise Now.
| L.A. WeeklyElla TaylorAbu-Assad, who made the lovely 2002 film "Rana's Wedding," is a far more gifted observer of the everyday than he is an action director, which is why, in Paradise Now, he productively sidetracks into a persuasive and often very funny portrait of the irrationalities of life under occupation. |
| New TimesLuke Y. ThompsonSome won't appreciate the mix of tones, but none of the humor cheapens the film's final blow, nor is it designed to condone terrorism in any way. |
| Old School ReviewsJohn A. Nesbitexplores suicide bombers more intimately than ever before |
| TV Guide MagazineKen FoxA thoughtful, unsparing look at a controversial subject: suicide bombing. |
| Entertainment WeeklyLisa SchwarzbaumOf all the shocks in the riveting and timely political thriller Paradise Now, the most unsettling may be the dignity bestowed on a pair of prospective Palestinian suicide bombers. |
| VarietyDerek ElleyHandsomely shot in widescreen, mostly on actual West Bank locations, and well-played by the cast, pic lays out the issues in an accessible but rather too over-correct way, seemingly eager to please all parties at the expense of real passion. |
| Hollywood ReporterKirk HoneycuttWhile nothing truly new or shocking emerges, the film does bring clarity and compassion to its depiction of an act that baffles, angers and sickens people the world over. |
| ComingSoon.netEdward DouglasA powerful film that's not so easily shaken or forgotten...an amazing achievement. |
| New York TimesStephen HoldenAlong the way, Paradise Now sustains a mood of breathless suspense. Politics aside, the movie is a superior thriller whose shrewdly inserted plot twists and emotional wrinkles are calculated to put your heart in your throat and keep it there. |
| Los Angeles TimesKenneth TuranA powerful, poignant, provocative drama, it gets its strength from its dispassion, from an uncompromising determination to explain rather than justify or condemn, to put a human face on incomprehensible acts. |