
Having no recollection of how she ended up there, Liz Hansen wakes up from her deep hypnosis in an air-sealed cryogenic unit the size of a coffin. With the oxygen resources steadily depleting, Liz must remain composed to piece together her fragmented memories and reconstruct her opaque identity with the help of M.I.L.O., the pod's state-of-the-art A.I. However, trapped Liz can't move, she can't get out, and her oxygen levels can only last ninety short minutes. Does Liz have a... (Full plot summary below)
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Having no recollection of how she ended up there, Liz Hansen wakes up from her deep hypnosis in an air-sealed cryogenic unit the size of a coffin. With the oxygen resources steadily depleting, Liz must remain composed to piece together her fragmented memories and reconstruct her opaque identity with the help of M.I.L.O., the pod's state-of-the-art A.I. However, trapped Liz can't move, she can't get out, and her oxygen levels can only last ninety short minutes. Does Liz have a fighting chance of surviving? Is there an escape from this claustrophobic nightmare?
Leave your thoughts about Oxygen.
| RogerEbert.comBrian TallericoWith robust direction in an incredibly confined space and Laurent’s phenomenal work, Oxygen should feel like a breath of fresh air for people looking for something to watch on Netflix. (Sorry.) |
| The PlaylistBrian FarvourOxygen may not be the most unique film, but its terrifically panicky and suffocating qualities will leave you breathless nonetheless. |
| Original-CinThom ErnstThe dubbing is a distraction that undermines Laurent’s efforts and robs the movie of much of its intensity and some of its integrity. Still, the movie engages as a mystery with a countdown element that effectively raises the stakes to nail-biting anxiety. |
| Entertainment WeeklyLeah GreenblattA film literally made from thin air, the French thriller Oxygen (on Netflix starting Friday) is a neat little sci-fi nightmare; a cool-toned exercise in claustrophobia that nearly pulls off the innate improbabilities of its high-concept nonsense. |
| The New York TimesLena WilsonThe premise is simple, but this twist-filled script by LeBlanc gives Laurent ample opportunity to shine. Because of its limited setting, the film hangs on Laurent’s acting ability, and she gamely vaults between elation, terror and determination. |
| EmpireIan FreerA modest, taut nailbiter. It lets itself down in the final third, but for the most part Oxygen leaves you gasping for air. And Mélanie Laurent, in practically every frame, is terrific. |
| We Got This CoveredScott CampbellIt’s lean, mean, and boasts one hell of a lead performance, so fans of both sci-fi and the thriller in general will find a lot to love about Oxygen. |
| The Film StageBrian RoanWorking off a tight, clever script from writer Christie LeBlanc, Aja has delivered a nail-biting, thought-provoking, fleet-footed film, the likes of which will shake even the most jaded and tired viewers out of any quarantine-induced stupor they may find themselves in. |
| Paste MagazineLex BriscusoOxygen and Laurent’s performance rely on how human nature manifests in us all: With a desire to live, no matter the cost. And none of what is achieved in this claustrophobic mystery would be possible without Laurent. |
| The Hollywood ReporterDavid RooneyThere's enough here to keep you engrossed, particularly once the camera pulls back in a majestic reveal of the environment surrounding the pod. The visual effects are slick, but the most indispensable effect is the human element of Laurent's performance — by turns distraught, desperate, tough, determined and resourceful. |