Opera
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- 69/100 based on 18,551 votes

Young opera singer Betty gets her big chance when the previous star of a production of Verdi's 'Macbeth' is run over by a car. Convinced that the opera is bad luck, she accepts--and becomes the target (in Argento's unmistakable style) of a psychopath--a man who has inhabited her nightmares since her childhood.... (Full plot summary below)

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Full Plot Details

Young opera singer Betty gets her big chance when the previous star of a production of Verdi's 'Macbeth' is run over by a car. Convinced that the opera is bad luck, she accepts--and becomes the target (in Argento's unmistakable style) of a psychopath--a man who has inhabited her nightmares since her childhood.

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Movie Reviews

Slant Magazine - 10/10 by Ed GonzalezArgento's Opera is a film of rare beauty, a celebration of love's absence and the ferocious force of the gaze.
Starburst - 9/10 by Michael ColdwellAn exercise in extremity, always strongest when shunting things into overdrive.
Cinemaphile.org - 9/10 by David KeyesMovies like Opera can be treasures for minds inclined to dip further into the shadows. They are reminders that terror begins with uncertainty, not with howls of obvious pain.
Daily Dead - 8/10 by Heather WixsonFor every gorgeously composed moment we see of the Macbeth live performances (inside an absolutely stunning opera house that I wish I could make into my very own lavish home), Argento in turn delivers up a merciless and savage death.
Blu-ray.com - 8/10 by Brian OrndorfStorytelling isn't much of a concern for Argento (it rarely is), but his gonzo interests remain flared up, enjoying one last romp armed with a reasonable budget and creative freedom, clearly relishing his time experimenting with operatic extremes.
Antagony & Ecstasy - 8/10 by Tim BraytonAn art film through and through, though it be an art film with an unusual number of bloody deaths... one of Argento's most memorable films.
Q Network Film Desk - 8/10 by James KendrickWith its grand scale and brooding themes, the art of opera fits neatly with Argento's lavish stylistics and dark preoccuptations as a filmmaker
Combustible Celluloid - 6/10 by Jeffrey M. AndersonArgento's masterful use of colors and music keep help to keep the film feeling fresh.
Mark Leeper's Reviews - 6/10 by Mark R. LeeperThe color restoration is beautiful and Bluray shows off the color splendidly on home video. The singing is beautiful also. It is a pity the story was not more engaging.
Film and Felt - 6/10 by Gabe LeibowitzItalian horror master Dario Argento may have the most lopsided strengths and weaknesses of any director I've experienced.

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