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| ColliderArezou AminOne True Loves ultimately tackles the idea of what it means to grow and change through both the best and the worst life can hand a person, told through performances that get to the heart of the script, and direction that supports without overwhelming. |
| Screen RantRachel LaBonteOne True Loves may not be Reid's most popular novel, but its adaptation is nevertheless handled with genuine care. The soapy premise won't be for everyone, and its heavy-handed approach can alienate. Still, those willing to join Emma on this (mostly) complicated journey may very well find themselves charmed by the end. |
| The GuardianPhil HoadThere is little payoff, with Fickman running shy of the full-blooded commitment to make his film a proper weepie and instead constantly reverting to sassy, annoyingly self-aware comedy that makes light of everything. |
| IndieWireSamantha BergesonAndy Fickman’s film is bogged down with blatant exposition, courtesy of Emma’s sister Marie (Michaela Conlin), Hallmark-esque declarations amid a bland score, and more plot holes (how did Jesse survive?!) than we care to admit. |
| RogerEbert.comPeyton RobinsonOne True Loves is so frustratingly superficial that it fails to gain a modicum of sincerity. |
| The New York TimesBrandon YuBasic storytelling components are also ignored, as if entire scenes are missing, so that One True Loves, directed by Andy Fickman, stumbles even as a piece of Hallmark sappiness. |
| Los Angeles TimesNoel MurrayThere are talented people up and down the One True Loves cast and crew list, so it really makes no sense that director Andy Fickman’s film is so off-key. Nearly every creative choice goes awry. |
