
Zac and Eva live with their parents in isolated-mysterious farmhouse. The family lives' in the 1800s manner and doing the old-fashioned chores. When their mom becomes seriously ill, the sibling begins to discover family dark secrets and supernatural abilities to teleport themselves, which threaten a family to splintered. One and Two is the story about the bond and love between the siblings.... (Full plot summary below)
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Zac and Eva live with their parents in isolated-mysterious farmhouse. The family lives' in the 1800s manner and doing the old-fashioned chores. When their mom becomes seriously ill, the sibling begins to discover family dark secrets and supernatural abilities to teleport themselves, which threaten a family to splintered. One and Two is the story about the bond and love between the siblings.
Leave your thoughts about One & Two.
| The Film StageBill GrahamQuiet and contemplative, One & Two is confident in the story it wants to tell and achieves so with remarkable poise. |
| The ListKatherine McLaughlinStrong performances across the board render this a frequently involving and moving experience, with the endearing chemistry between the screen siblings making their bond wholly believable. |
| GuardianLeslie FelperinIt's like Terrence Malick were making a superhero origin story. The lack of explanation wouldn't be a problem if the ending didn't feel somehow predictable and lethargic, but the cast help make this watchable. |
| SciFiNowJonathan HatfullIt's a very handsomely made film, the performances are very good, and Palermo's understated vision is definitely intriguing. We just can't help wishing that there was a bit more to it. |
| Total FilmMatt LookerThe sci-fi element confounds rather than enhances; we're left with a sense of anticlimax fuelled by loose ends and unexplored potential. |
| Village VoiceMichael Nordine[Palermo] demonstrates an affinity for all things ethereal, even as he occasionally struggles to make space for himself in the long shadow of his estimable influences and reference points. |
| Time OutDavid EhrlichUnfortunately, this austere allegory for the difficult process by which kids start to think for themselves only hints at the turbulence of its characters, who are kept at too far a remove for us to feel their growing pains. |
| Los Angeles TimesKatie WalshGorgeous and naturalistic shots by cinematographer by Autumn Durald speak volumes, and the atonal, foreboding score by Nathan Halpern creates a sense of dread, though they are ultimately squandered in an underdeveloped story. |
| The Hollywood ReporterHarry WindsorDisparate influences percolate but never quite cohere in Andrew Droz Palermo’s first narrative feature One & Two, which while atmospheric and beautifully lensed ends up being a touch too elliptical for its own good. |
| RogerEbert.comSimon AbramsNever feels as momentous or as angsty as a good story about moody teenagers should, and that's mostly because the film lacks a menacing parental adversary. |