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Leave your thoughts about No Hard Feelings.
| ColliderNate RichardLawrence flexes her comedy muscles in both her dialogue and physical comedy, taking some bold swings with some of the things she does on screen, and it pays off extremely well. |
| Los Angeles TimesKatie WalshThere simply aren’t enough female dirtbags in cinema, so Lawrence’s Maddie Barker — Uber driver, surly bartender and pissed-off Montauk townie — is a refreshing character. |
| PolygonJoshua RiveraSometimes, for a good time, all you need is a great actor and a story that seems like a real bad idea. |
| Film ThreatJason DelgadoI love the chemistry between Lawrence and Feldman. The comedy is funny and unafraid, and importantly, it has a heart and emotion that works. We need more movies like No Hard Feelings. |
| Arizona RepublicAmanda LubertoLawrence delivers a performance that’s long overdue. She finally gets an opportunity to show off her comedic chops and her biting humor and executes it with years of dramatic acting in her bag. She is brash yet warm, making this character extremely believable. |
| The AtlanticShirley LiNo Hard Feelings is not about to usher in a new era in mainstream sex comedies—it is, however, a delightful showcase for Lawrence’s movie-star verve. |
| Boston GlobeOdie HendersonUltimately, No Hard Feelings is the story of two people who are afraid of life for different reasons, and how they help each other lose that fear. I’ve heard complaints that it sacrifices filth for feelings. To those folks, I say — you can always watch “Porky’s” instead. |
| San Francisco ChronicleMick LaSalleBasically, No Hard Feelings is everything you like about Jennifer Lawrence, brought together in one movie and then magnified: her down-to-earth irreverence, her comic timing, her idiosyncratic naturalness and her unexpected sensitivity. |
| Austin ChronicleAlejandra MartinezOverall, No Hard Feelings is a breezy, welcome return to the sex comedy, even if it’s a bit more tempered than it would have you think. It’s a breath of fresh air that hopefully signals a change for the better, bolder, and filthier in mainstream cinema. |
| The Film StageGabrielle MarceauIf No Hard Feelings lacks outrageousness and transgression, it is surprisingly nuanced and sensitive. |