Meet Franklin Hart (Dabney Coleman). The biggest "sexist, egotistical, lying, hypocritical bigot" boss on the planet. He thrills in taking advantage of his head female office staff; humiliating, downplaying, and condescending against them whenever conveniently possible, particularly his top assistant Violet (Lily Tomlin). Long-exhausted over his gruesome bullishness, Violet, alongside co-workers Doralee (Dolly Parton) and Judy (Jane Fonda) comprise comical methods of "doing h... (Full plot summary below)
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Meet Franklin Hart (Dabney Coleman). The biggest "sexist, egotistical, lying, hypocritical bigot" boss on the planet. He thrills in taking advantage of his head female office staff; humiliating, downplaying, and condescending against them whenever conveniently possible, particularly his top assistant Violet (Lily Tomlin). Long-exhausted over his gruesome bullishness, Violet, alongside co-workers Doralee (Dolly Parton) and Judy (Jane Fonda) comprise comical methods of "doing him in", when a freak incident occurs. They then manage to kidnap Hart and trap him in his own house, while assuming control of his department, and productivity leaps. But just how long can they keep him tied up?
Leave your thoughts about Nine to Five.
| The Globe and Mail (Toronto)Jay ScottNine to Five is a good-hearted, simple-minded comedy that will win a place in film history, I suspect, primarily because it contains the movie debut of Dolly Parton. She is, on the basis of this one film, a natural-born movie star, a performer who holds our attention so easily that it's hard to believe it's her first film. |
| The New YorkerPauline KaelThe movie is surprisingly smart about the politics of the glass ceiling, which keeps Tomlin in a pink-collar supervisor position while every man she trains gets promoted past her. The way Coleman asserts his masculinity with phrases like "cut the balls off the competition," and the way our heroic trio works together to sculpt a worker's paradise—complete with flex-time and day-care facilities—serves as an effective summary of the era's hot-button issues. |
| Chicago TribuneGene SiskelLots of laughs, little sense, and pure fantasy. Produced by Fonda's company, NINE TO FIVE is an amusing way to spend 110 minutes, but hardly memorable. |
| NewsweekDavid AnsenDespite an excellent and promising cast, this Hollywood attempt at a mainstream feminist comedy is flabby and bland...Complacent, and even worse, not very funny, despite the efforts of the ever-excellent Tomlin. |
| The New York TimesVincent CanbyThe three actresses make an attractive team, but neither the screenplay, by Colin Higgins and Patricia Resnick, nor the director, Mr. Higgins, uses them very effectively. It's clearly a movie that began as someone's bright idea, which then went into production before anyone had time to give it a well-defined personality. |
| User ReviewTMProofreader3The best inspiring comedy movie ever made! With the best movie song ever sung: the title song! |
| User ReviewCityOfGeekI’m glad to finally see this fondly-remember comedy, but of course heard the Academy-Award nominated song from Dolly Parton a zillion times (including it’s use in the R-cut of Deadpool 2; didn’t make it into the PG-13 cut). Anyway, I really loved this, and wish I had seen it earlier. A wonderful take down of sexist bigoted corporate culture with three amazing leads. Dolly Parton in her first role would have easily stolen it if not for Tomlin and Fonda both feeding off her energy. everyone’s timing and tone is just perfect. The sequence around body-stealing (something I didn’t expect to find in this) had me rolling. |
