Lines blur between real and imaginary, crime and art, the watcher and the watched in this eerie, genre-subverting exploration of identity. Installation artist Miranda Fall (Mireille Enos) follows and photographs strangers for her art until disturbing events lead her to suspect that someone out there is watching HER...... (Full plot summary below)
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Lines blur between real and imaginary, crime and art, the watcher and the watched in this eerie, genre-subverting exploration of identity. Installation artist Miranda Fall (Mireille Enos) follows and photographs strangers for her art until disturbing events lead her to suspect that someone out there is watching HER...
Leave your thoughts about Never Here.
| Georgia StraightCraig TakeuchiAlthough there are several ingredients that don't quite jell as a whole, the overall concept and individual elements remain compelling. |
| The Hollywood ReporterStephen Daltonever Here wears the outer clothes of a crime thriller to cloak a more haunting, disturbing, open-ended rumination on voyeurism and identity. |
| The ListNikki BaughanA hypnotic study of the increasingly fluid notions of identity and privacy in a world where insidious technology is blurring, if not entirely eroding, traditional social boundaries. |
| VarietyDennis HarveyThough it drifts off into the ozone at the end, for most of its running time, "Never Here" is a low-key but effective psychological thriller which flirts with that looming issue of the social-media age: privacy, and the invasion thereof. |
| Tampa Bay TimesSteve PersallNever Here is a moody inversion of the stalker genre, less of a thriller than a Lynchian thinker. Thoman has a bright future and we'll say we knew her when. |
| GuardianPeter BradshawThoman coolly creates an oppressive atmospheric charge, as well as a deadpan satiric view of a certain kind of chillingly affectless conceptual art. A disquieting and mysterious mirage of a film. |
| Los Angeles TimesSheri LindenArtful and atmospheric to the max, Never Here is a study in personality disintegration dressed up as a whodunit. The film marks an auspicious debut for writer-director Camille Thoman. |
| FF2 MediaAmelie LaskerWhile I think the execution could have been more graceful, Thoman's illustration of an artist's trajectory is compelling, and for that I think Never Here is definitely worth a watch. |
| The Film StageJared MobarakThoman spins a suspense thriller with all its genre underpinnings around Miranda to take the control she’s always carefully ensured was hers away. |
| Village VoiceAaron HillisUp through the ambiguous ending, Thoman withholds the story’s bigger puzzle pieces, which is satisfying when the focus is on Miranda’s quietly traumatic unraveling. Yet as a mystery, Never Here teases too much naturalism to get away with the haunting abstruseness Lynch does in his masterful return to Twin Peaks. |
