
Mi Taylor (Mickey Rooney) was a young wanderer and opportunist whose father had given him "all the roads in the Kingdom" to travel. One of the roads, and a notation in his father's journal, leads him to the quiet English countryside home of the Brown family. The youngest daughter, Velvet (Dame Elizabeth Taylor), has a passion for horses and when she wins the spirited steed Pie in a town lottery, Mi is encouraged to train the horse for the Grand National - England's greatest r... (Full plot summary below)
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Mi Taylor (Mickey Rooney) was a young wanderer and opportunist whose father had given him "all the roads in the Kingdom" to travel. One of the roads, and a notation in his father's journal, leads him to the quiet English countryside home of the Brown family. The youngest daughter, Velvet (Dame Elizabeth Taylor), has a passion for horses and when she wins the spirited steed Pie in a town lottery, Mi is encouraged to train the horse for the Grand National - England's greatest racing event.
Leave your thoughts about National Velvet.
| Chicago ReaderDon DrukerA good movie for kids and armchair Freudians (1944), with 12-year-old Elizabeth Taylor training her pet horse for the Grand National. |
| The Observer (UK)Philip FrenchThough it’s often cited on lists of the greatest sports movies, or horse movies, or movies for children—all citations this magnificent film deserves—National Velvet is perhaps dearest to me for its lovingly detailed and precise portrait of this very particular mother-daughter relationship, and for the intertwined performances of the dry, laconic Revere and the tremulously radiant Taylor (who was already, at age 12, a sophisticated and sensitive actress). |
| Entertainment WeeklyLawrence O'TooleNo other child actor — nor adult one — has ever captured the pure, unconditional love between human and animal as Elizabeth Taylor does here. And few other films have caught the can’t-wait-another-second excitement of childhood fixation. |
| Baltimore SunChris KaltenbachIt has got to be in a list of her best: the sheer freshness of her screen presence as young Velvet Brown who prepares a wild but talented horse for the Grand National turns Clarence Brown’s sentimental adaption of Enid Bagnold’s children’s classic into the one film that everyone who has ever heard of Elizabeth Taylor has probably seen. |
| Cinema SightWesley LovellWatching a young Elizabeth Taylor work is like watching a seed grow into a blossoming flower. |
| Chicago TribuneMichael WilmingtonIndeed, in its simple comprehension of the faith and affection of youth it is likely more tender and affecting than even the story of Lassie was. And it certainly is more exciting in its vivid, dramatic display. |
| The New RepublicManny FarberPandro Berman, the producer, and Clarence Brown, the director, have made it into a conservatively exciting and engaging film whose chief virtue is its acting, especially a letter-perfect, beautifully felt performance by Mickey Rooney as the jockey. |
| New York TimesBosley CrowtherThis fresh and delightful Metro picture, based on Enid Bagnold's novel of some years back, tells by far the most touching story of youngsters and of animals since Lassie was coming home. |
| VarietyVariety StaffNational Velvet is a horse picture with wide general appeal. The production also focuses attention on a new dramatic find -- moppet Elizabeth Taylor. |
| Los Angeles TimesMark Chalon SmithIt’s a pretty arduous journey, complete with personal revelations, melodramatic suspense, a grand finale and all the Hollywood hokum MGM could get away with. |