MURDER and murder
MURDER and murder

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- 69/100 based on 45 votes

Mildred and Doris are two middle-aged white women, from very different backgrounds, who become lovers and set up house together. Film explores the pleasures and uncertainties of later-life ...... (Full plot summary below)

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Mildred and Doris are two middle-aged white women, from very different backgrounds, who become lovers and set up house together. Film explores the pleasures and uncertainties of later-life ...

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Movie Reviews

New York Magazine (Vulture) - 9/10 by David DenbyAndrew Davis, the director of "The Fugitive," one of the best thrillers of recent years, has added pace and heat and explicit sexuality to the material without whipping up phony excitement.
Slate - 8/10 by David EdelsteinIt has been sexed up, opened out, and finished off with a disappointing bang-bang climax, but it's still good fun.
Chicago Sun-Times - 8/10 by Roger EbertI think it works like a nasty little machine to keep us involved and disturbed; my attention never strayed, and one of the elements I liked was the way Paltrow's character isn't sentimentalized.
The New York Times - 7/10 by Stephen HoldenThe story has enough nasty twists and tantalizing clues for its ingenious mechanics to remain engaging.
Entertainment Weekly - 7/10 by Owen GleibermanI've seen far worse thrillers than A Perfect Murder, but the movie is ultimately more competent than pleasurable.
Los Angeles Times - 6/10 by Kenneth TuranA Perfect Murder begins better than it ends, and the pleasures it offers turn out to be more of a transitory nature.
TV Guide Magazine - 6/10 by Sandra ContrerasIf the roller-coaster plot twists lose you, there's always the satisfaction of Douglas's take on a script rife with amusing double entendres.
The Globe and Mail (Toronto) - 6/10 by Liam LaceyBy the head-scratching dénouement, the "perfect" in the title seems particularly misplaced. How about Dial M for Muddle.
The A.V. Club - 5/10 by Keith PhippsAndrew Davis ("The Fugitive," "Steal Big Steal Little") has made a technically competent thriller that's not only thrill-less, but dull.
Chicago Reader - 5/10 by Jonathan RosenbaumThis is simply efficient, routine storytelling with a high gloss but an undernourished sense of character.

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