Mobile Homes
Mobile Homes

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- 60/100 based on 1,204 votes

A young mother drifts from one motel to the next with her intoxicated boyfriend, and her 8-year-old son. The makeshift family scrapes by, living one hustle at a time, until the discovery of a mobile home community offers an alternative life.... (Full plot summary below)

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Full Plot Details

A young mother drifts from one motel to the next with her intoxicated boyfriend, and her 8-year-old son. The makeshift family scrapes by, living one hustle at a time, until the discovery of a mobile home community offers an alternative life.

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Movie Reviews

Movie Nation - 8/10 by Roger MooreDirector de Fontenay has a great eye for detail — filling Mobile Homes with inside cock-fighting particulars and manufactured housing factory work, roadhouses and after hours “clubs” where the chicken fighting takes place.
L.A. Weekly - 8/10 by Sam WeisbergIn Vladimir de Fontenay’s Mobile Homes, Imogen Poots gives a performance of such multifaceted distinction that it might be hard to believe you’re watching the same actress from frame to frame.
The Playlist - 6/10 by Bradley WarrenIt’s a very watchable — if occasionally frustrating— first effort, but one hopes that the director will carve out more original territory with his second film, regardless of where he settles.
Los Angeles Times - 6/10 by Noel MurrayWhile the story’s a little shaky, Poots is outstanding; and de Fontenay has a terrific eye for the details of a drifter’s life, shuffling from hovel to hovel, never able to scrape up enough cash to sleep comfortably.
Screen International - 6/10 by Allan HunterThe feature debut of Vladimir De Fontenay is an accomplished piece with a committed central performance from Imogen Poots, but the emotional impact is lessened by an air of predictability and the sense that every bit of fresh hope is destined to end in disappointment.
The New York Times - 5/10 by Bilge EbiriThis is an atmospheric, well-acted film that leaves us mostly cold.
The Globe and Mail (Toronto) - 5/10 by Brad WheelerThe result is a metaphor run amok, with a limp plot, implausible action and three barely sketched characters played drearily.
RogerEbert.com - 5/10 by Nick AllenThere’s a big meaning to all of this, and yet the movie can’t eloquently express it, even though the metaphor is in the title.
The Hollywood Reporter - 4/10 by Stephen DaltonThis unflinching yet compassionate depiction of marginalized misfits boasts a few pleasingly poetic flourishes, but it suffers from some common first-time director flaws, notably a listless narrative, thinly developed characters and a relentlessly somber mood.
Variety - 4/10 by Peter DebrugeThis is a dour and deeply unpleasant film that wears its gritty realism as a badge of honor, while failing to recognize the motivations that explain such behavior in reality, which makes him neither an attentive journalist nor a particularly good storyteller (at least not yet).

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