
When Noelle, a timid California fine arts graduate student, is invited to a party by a handsome classmate she has a crush on, a vicious sexual assault and a blood-stained reaction will give birth to a totally different woman. But, much to Noelle's surprise, as an unexpected surge of inspiration gradually fuels her stagnant artistic expression, an insatiable thirst for revenge on all those who destroyed the lives of innocent women will begin to devour her. Who shall stand in t... (Full plot summary below)
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When Noelle, a timid California fine arts graduate student, is invited to a party by a handsome classmate she has a crush on, a vicious sexual assault and a blood-stained reaction will give birth to a totally different woman. But, much to Noelle's surprise, as an unexpected surge of inspiration gradually fuels her stagnant artistic expression, an insatiable thirst for revenge on all those who destroyed the lives of innocent women will begin to devour her. Who shall stand in the way of this seductive, yet pitiless vigilante? In the end, is seduction really a dying art?
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| Hollywood ReporterJohn DeForeLess a pulse-pounding thriller than a conversation starter about injustice and vigilantism. |
| The Hollywood OutsiderAaron PetersonAnchored by a genre-defying performance from Francesca Eastwood, M.F.A. deserves to land at the top of your must-see list. |
| Backseat MafiaRob AldamEastwood is fearless and a major revelation. She's destined for great things. |
| Chicago ReaderLeah PickettFrancesca Eastwood takes after her father, Clint: she's magnetic and convincing as a vigilante, despite her character's implausibly quick switch from wallflower to assassin |
| The Hollywood NewsKat HughesAt its base M.F.A is a genre film, but it's one that has a really important message. |
| Dread CentralJonathan Barkan...this is a powerful and challenging release, one that demands discussion and expects viewers to begin their own investigations and research into the subject matter. |
| Bloody DisgustingBrad MiskaM.F.A. is intensely engaging, thought-provoking, and also mesmerizing. |
| FILMINK (Australia)Travis Johnson...as an angry as hell piece of pulpy and politicised pop cinema, it's the business. |
| Slant MagazineChuck BowenNatalia Leite's ambition and accompanying uncertainty give the film its unruly and resonant energy. |
| Birth.Movies.Death.Meagan NavarroAn unflinching examination of rape culture from a female perspective. |