M*A*S*H
M*A*S*H

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- 74/100 based on 75,295 votes

The personnel at the 4077 MASH unit deal with the horrors of the Korean War and the stresses faced in surgery by whatever means. The tone at the MASH is established by recent arrivals, surgeons Captains 'Hawkeye' Pierce, 'Duke' Forrest, and 'Trapper' John McIntyre - the latter who Hawkeye knows he's met somewhere, but Trapper who won't divulge where - whose antics can be best described as non-regulation, and in the negative words of one of their fellow MASH-ers, unmilitary. T... (Full plot summary below)

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Actors in M*A*S*H:

Donald Sutherland
Elliott Gould
Tom Skerritt
Sally Kellerman
Robert Duvall
Roger Bowen

Full Plot Details

The personnel at the 4077 MASH unit deal with the horrors of the Korean War and the stresses faced in surgery by whatever means. The tone at the MASH is established by recent arrivals, surgeons Captains 'Hawkeye' Pierce, 'Duke' Forrest, and 'Trapper' John McIntyre - the latter who Hawkeye knows he's met somewhere, but Trapper who won't divulge where - whose antics can be best described as non-regulation, and in the negative words of one of their fellow MASH-ers, unmilitary. The unit's commanding officer, Colonel Henry Blake, doesn't care about this behavior as long as it doesn't affect him, and as long as they do their job and do it well, which they do. Their behavior does extremely bother fellow surgeon, Major Frank Burns, and recently arrived head nurse, Major Margaret Houlihan, who obtains the nickname 'Hot Lips' based on information they glean about her through underhanded means. Beyond their battles with Frank and Hot Lips, Hawkeye, Duke and/or Trapper help unit dentist Painless with a personal crisis, try to figure out if Hot Lips is a true blond, travel to Japan for a work and what they hope is a recreational trip, and hope to win big on a football bet against another unit in which they on the surface are the underdogs.

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Movie Reviews

Chicago Sun-Times - 10/10 by Roger EbertWe laugh, that we may not cry. But none of this philosophy comes close to the insane logic of "M*A*S*H," which is achieved through a peculiar marriage of cinematography, acting, directing, and writing.
DVDJournal.com - 10/10 by Mark BourneIf its bite and sass have diminished for today's new audiences ... consider that a testimony to the attitude, style, and technique it pioneered and infused into American popular movies.
The Hollywood Reporter - 10/10 by John MahoneyIt is fresh and spontaneous, plausible at its most logically improbable, thanks to Altman's superior direction, Lardner's script, the fine selection of actors and to an omnipresent camera under director of photography Harold E. Stine and operator Bill Mendenhall.
Q Network Film Desk - 10/10 by James KendrickAhead of its time and still one of the most effectively subversive comedies ever to emerge from a major studio.
Filmcritic.com - 10/10 by Christopher NullA battle against the idea that 'a war movie' had to be a serious affair.
Chicago Tribune - 10/10 by Gene SiskelFor me, M*A*S*H contains as much depression as humor.
The Nation - 10/10 by Robert HatchI looked in vain for pertinence or surprise. Nor was I shocked: without some maturity (if not by the participants, at least by the managers), irreverence is merely brash.
Apollo Guide - 10/10 by Brian WebsterRemains as sharp and fresh and relevant as it was on the day of its initial release.
Old School Reviews - 9/10 by John A. NesbitBefore ... the next war, both sides need to hire Altman as the director. He knows the territory, works with ensemble casts better than anyone, and provides plenty of laughs.
Time Out - 9/10 by Geoff AndrewIt shows Altman's stylistic signature in embryonic form.

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