
Mars At Sunrise tells the story of a war waged on imagination. The film abstractly portrays the conflict between artists on either side of Israel's militarized borders, and explores how a powerful creative mind survives, and even thrives, under pressure. When Azzadeh, a young Jewish American poet, travels to Israel to see the land and people she has only ever heard about through the voices of others she uncovers stories of Israeli soldiers who reflect on the complexity of the... (Full plot summary below)
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Mars At Sunrise tells the story of a war waged on imagination. The film abstractly portrays the conflict between artists on either side of Israel's militarized borders, and explores how a powerful creative mind survives, and even thrives, under pressure. When Azzadeh, a young Jewish American poet, travels to Israel to see the land and people she has only ever heard about through the voices of others she uncovers stories of Israeli soldiers who reflect on the complexity of their military service; Palestinian families who are displaced and wedged between walls; and artists from both cultures who strive to paint a picture of life surrounded by conflict. While waiting at a checkpoint in Jenin, Azzadeh meets Khaled, a Palestinian painter forced from his home in East Jerusalem. Azzadeh accepts a ride from the handsome stranger, whose life story she soon bears witness to as the two come face to face with Eyal, the young officer who once interrogated Khaled, at the next checkpoint. Khaled tells Azzadeh the story of his arrest and torture when he refused to collaborate with Israeli Intelligence. Under the duress of solitary confinement, Khaled must use the muscles of his creative imagination to remain free despite the imprisonment of his physical being. As he struggles, Khaled awakens a wave of jealousy, creativity and chaos in Eyal, himself a frustrated artist. But through this painter's resistance, courage and spirit, we learn that an artist can never be imprisoned.
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| Chicago ReaderDrew Hunt[Habie uses] a narrative framework similar to that of Eternal Sunshine of the Spotless Mind. But whereas that Michel Gondry comedy kept its central plot in focus as it became more visually elaborate, this just grows more alienating. |
| The New York TimesJeannette CatsoulisThis setup is simple, but what follows is less so: an impressionistic battle between imagination and brute force that too often veers from enlightening to exasperating. |
| The DissolveChris KlimekHabie’s fractured narrative style—particularly her arbitrary shifts from Khaled’s perspective to Eyal’s to (apparently) third-person reality—stymies the accumulation of any dramatic momentum from scene to scene. |
| VarietyRonnie ScheibSuliman (“Paradise Now,” “The Attack”) dominates the screen as Khaled, utterly compelling in and out of jail, his magnificent perf tying up cinematic loose ends. |
| Village VoiceZachary WigonUsing its narrative as a launching pad for abstract visuals, the picture reminds viewers that even the most striking images demand context to create anything like drama. |
| User ReviewDanielle PBeautifully told story. Accomplished acting and imaginative narrative. Sound and editing move the story forward in a poetic yet dynamic way. |
| User ReviewCarin MExceptional movie giving an powerful artistic angle at the Israeli-Palestinian conflict.... |
| User ReviewNora RI saw this film at the 2013 Arab Film Festival in San Francisco and it was one of the best ones of the 40+ I saw. Creative, moving and unforgetable. Watch it! Thank you Jessica Habie for making it. |
| User ReviewMonica BRecommended. Surreal, human, intelligent, current, vast. |
| User ReviewAllegra HThe fragmented narrative mirrors the way trauma impacts memory and interrupts linear thought. This is a beautiful and important film |