
The flamboyant Hollywood Montrose is promoted to head window dresser at Prince and Company department store. Hollywood hires his new assistant Jason Williamson, who in a past life was the prince of the Hauptmann-Koenig kingdom. Prince and Company plans to display a mannequin known as the Enchanted Peasant Girl in celebration of the kingdom. And Jason has a nagging feeling he has seen this mannequin somewhere before. Removing a necklace from the mannequin reveals that the Ench... (Full plot summary below)
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The flamboyant Hollywood Montrose is promoted to head window dresser at Prince and Company department store. Hollywood hires his new assistant Jason Williamson, who in a past life was the prince of the Hauptmann-Koenig kingdom. Prince and Company plans to display a mannequin known as the Enchanted Peasant Girl in celebration of the kingdom. And Jason has a nagging feeling he has seen this mannequin somewhere before. Removing a necklace from the mannequin reveals that the Enchanted Peasant Girl is really Jessie, the love of his past life who was placed under a thousand year spell by an evil sorcerer. Their rekindled romance is not without its challenges when the evil sorcerer reappears in his descendant Count Gunther Spretzle, who has plans of his own for Jessie. But Jessie must receive a kiss from her one true love to break free from the curse before Count Spretzle finds her.
Leave your thoughts about Mannequin Two: On the Move.
| Seattle TimesJohn HartlUnfortunately, the recycled plot is still the driving force here, and the movie becomes increasingly frantic trying to accommodate it. In the end, Raffill can't bring this dummy to life, but he does try. |
| Empire MagazineTorene SvitilDespite the presence of four credited screenwriters, the plot is a rehash of cliches and tired jokes. |
| South Florida Sun-SentinelRoger HurlburtCould somebody please tell me why four scriptwriters were needed for Mannequin Two: On the Move? |
| Deseret News (Salt Lake City)Chris HicksThey are amiable players, but they can't rise above the dreadful material. |
| Washington PostRita KempleyLike the 1987 original, Mannequin Two: On the Move is a movie made by, for and about dummies. |
| Radio TimesDavid ParkinsonThe script is so full of old gags it must have been chiselled on stone tablets, while Stewart Raffill's direction is a model example of how not to let the action get in the way of product placements. |
| Time OutMark KermodeRaffill's heavy-handed direction is jam-packed with product placement, and interrupted every ten seconds with yet another plug for a boring MOR rock song. |
| Los Angeles TimesKevin ThomasFrom start to finish Mannequin Two: On the Move is insipid in the extreme. |
| User ReviewLauren KI loved the original and I loved this one as well. The story is just great and sweet!! |
| User ReviewSamantha CFor some reason I liked this one better than the first. I think both are good movies. Anything that can hold my attention for almost two hours and keeps me laughing and entertained is great in my book. |