
After an ex-ballet dancer's life is turned upside down after receiving devastating news, a chance encounter with a charismatic dancer marks the start to a fragile friendship that might turn into something more profound.... (Full plot summary below)
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After an ex-ballet dancer's life is turned upside down after receiving devastating news, a chance encounter with a charismatic dancer marks the start to a fragile friendship that might turn into something more profound.
Leave your thoughts about Love Tomorrow.
| Total FilmTom DawsonWriter/director Christopher Payne paints a credible portrait of life as a professional hoofer. But the leads struggle with an undernourished script, and there’s a cheapo televisual vibe throughout. |
| Daily Express (UK)Neil NormanThis is a quietly introspective mystery that rewards the patient filmgoer. |
| Contactmusic.comRich Clineans of micro-budgeted British indies will probably love this offbeat semi-romantic drama, but the fact remains that the film is mopey and contrived, with performances that never quite ring true. |
| Empire MagazineDavid ParkinsonA largely dour romantic drama, hampered by thrusting non-actors into challenging lead roles. |
| Time OutTom HuddlestonThis is tame, lifeless stuff, following the characters as they drift from bar to party, coffee shop to dance class. |
| ViewLondonMatthew TurnerDisappointing British dance-themed drama that stumbles due to flat performances, an unconvincing script and dull photography. |
| GuardianPeter BradshawFrankly, the performances and line-readings are uneven. The couple's journey through night-time London is interesting: both have a painful past that they are at first reluctant to discuss, especially Maya, but these disclosures are not dramatically developed in any really satisfying way. |
| London Evening StandardCharlotte O'SullivanChristopher Payne's low-key, almost-romance. |
| Observer (UK)Mark KermodeFew of the dialogue scenes match the expressiveness of Vargas's night-time street shuffle, or Jourdain's closing-credit solo. |
| Daily Record (UK)David EdwardsThe problem? The stars -- both dancers, rather than actors -- struggle with bland dialogue. The drama comes too late and it's hard to care about the unconvincing pair. |