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Love Tomorrow

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- 67/100 based on 79 votes

After an ex-ballet dancer's life is turned upside down after receiving devastating news, a chance encounter with a charismatic dancer marks the start to a fragile friendship that might turn into something more profound.... (Full plot summary below)

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After an ex-ballet dancer's life is turned upside down after receiving devastating news, a chance encounter with a charismatic dancer marks the start to a fragile friendship that might turn into something more profound.

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Movie Reviews

Total Film - 8/10 by Tom DawsonWriter/director Christopher Payne paints a credible portrait of life as a professional hoofer. But the leads struggle with an undernourished script, and there’s a cheapo televisual vibe throughout.
Daily Express (UK) - 6/10 by Neil NormanThis is a quietly introspective mystery that rewards the patient filmgoer.
Contactmusic.com - 5/10 by Rich Clineans of micro-budgeted British indies will probably love this offbeat semi-romantic drama, but the fact remains that the film is mopey and contrived, with performances that never quite ring true.
Empire Magazine - 4/10 by David ParkinsonA largely dour romantic drama, hampered by thrusting non-actors into challenging lead roles.
Time Out - 4/10 by Tom HuddlestonThis is tame, lifeless stuff, following the characters as they drift from bar to party, coffee shop to dance class.
ViewLondon - 4/10 by Matthew TurnerDisappointing British dance-themed drama that stumbles due to flat performances, an unconvincing script and dull photography.
Guardian - 4/10 by Peter BradshawFrankly, the performances and line-readings are uneven. The couple's journey through night-time London is interesting: both have a painful past that they are at first reluctant to discuss, especially Maya, but these disclosures are not dramatically developed in any really satisfying way.
London Evening Standard - 4/10 by Charlotte O'SullivanChristopher Payne's low-key, almost-romance.
Observer (UK) - 4/10 by Mark KermodeFew of the dialogue scenes match the expressiveness of Vargas's night-time street shuffle, or Jourdain's closing-credit solo.
Daily Record (UK) - 4/10 by David EdwardsThe problem? The stars -- both dancers, rather than actors -- struggle with bland dialogue. The drama comes too late and it's hard to care about the unconvincing pair.

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