
A private investigator reveals to his client that his wife is having an affair with a notorious womanizer, the wealthy Frank Flannagan. His client decides to shoot Flannagan at his hotel. Overhearing this, the investigator's daughter rushes to Flannagan to prevent his murder, and the two eventually become attracted to each other.... (Full plot summary below)
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A private investigator reveals to his client that his wife is having an affair with a notorious womanizer, the wealthy Frank Flannagan. His client decides to shoot Flannagan at his hotel. Overhearing this, the investigator's daughter rushes to Flannagan to prevent his murder, and the two eventually become attracted to each other.
Leave your thoughts about Love in the Afternoon.
| New York ObserverAndrew SarrisIt's the closest Wilder ever came to Ernst Lubitsch. |
| The New York TimesBosley CrowtherThis grandly sophisticated romance, which Mr. Wilder and I. A. L. Diamond have penned with a courteous nod to a novel by a Frenchman named Claude Anet, is in the great Lubitsch tradition, right down to the froth on the champagne, with a couple of fine additional "touches" that Mr. Wilder may wholly claim. |
| The New YorkerRichard BrodyThe visual gags that Wilder deploys are as stingingly cynical as ever, but here they have a newfound way with time, which they inhabit with an exquisitely controlled leisure. It’s the first of Wilder’s later and greatest films. |
| Chicago TribuneMichael WilmingtonUnder Billy Wilder's alternately sensitive, mirthful and loving-care direction, and with Maurice Chevalier turning in a captivating performance as a private detective specializing in cases of amour, the production holds enchantment and delight in substantial quantity. |
| Time OutGeoff AndrewAn over-long and only spasmodically amusing romantic comedy... |
| Chicago ReaderDon DrukerNot without its cruelties, but not without its beauties as well. |
| VarietyVariety StaffThe production holds enchantment and delight in substantial quantity. |
| Los Angeles TimesSusan KingThe script - Wilder's first with IAL Diamond - has its moments, but by and large it's conspicuously lacking in insight or originality, while Hepburn's fresh-faced infatuation for her all too visibly ageing guide to the adult, sensual world comes across as faintly implausible. |
| Antagony & EcstasyTim BraytonMuch nearer the bottom of Wilder's career than the top. |
| DVDTalk.comDavid CorneliusIt's not a great film, but it is an endearing one. |