During a tumultuous period in the career of Silvio Berlusconi, as his marriage to second wife Veronica Lario fractures, LORO speculates on what may or may not have taken place behind closed doors, depicting a wide variety of characters from multiple levels of society and their attempts to either ingratiate or distance themselves from him.... (Full plot summary below)
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During a tumultuous period in the career of Silvio Berlusconi, as his marriage to second wife Veronica Lario fractures, LORO speculates on what may or may not have taken place behind closed doors, depicting a wide variety of characters from multiple levels of society and their attempts to either ingratiate or distance themselves from him.
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| Sydney Morning HeraldPaul Byrnes[Paolo Sorrentino] embraces the corruption, the vulgarity and the extravagance with a certain tenderness, rather than envy. |
| CineVueChristopher MachellLuca Bigazzi's cinematography is a stunning kaleidoscope of colour, naked pleasure and voyeurism; it's at once a vision of desire and shattering, vacuous ugliness. |
| Daily Telegraph (Australia)Vicky RoachA colourful and compelling account of the fall of a contemporary Roman Empire. |
| The AustralianDavid StrattonSorrentino is an exceptional director and Servillo is a most remarkable actor; once again these two major talents have created a film of considerable impact, even if this time their subject remains frustratingly elusive. |
| Film InquiryAlex LinesLoro manages to showcase the best and worst qualities of the Oscar-winning successor to Fellini's opulent throne. |
| Hammer to NailChristopher Llewellyn ReedA wild ride of a movie through the life ... of Silvio Berlusconi ... it recalls ... The Wolf of Wall Street in its cinematic ... excess in the name of condemning that excess. |
| Australian Financial ReviewJohn McDonaldIt's like changing channels between a Tinto Brass movie and My Dinner with André. |
| Cinemanía (Spain)Yago GarcíaBerlusconi is reduced to what Sorrentino and [actor Riccardo Scamarcio] suggest in the best scene of the film: an apartment salesman. [Full review in Spanish] |
| El Pais (Spain)Jordi CostaIn other words, Loro is a film that shouts its intention to mock Berlusconi loudly while surrendering again and again to the seduction of his obscene imaginary. [Full Review in Spanish] |
| El Mundo (Spain)Alberto LuchiniA monumental exercise of incoteninence, both argumentative and stylistic, that draws from those Fellinian sources that Sorrentino frequents so much. [Full Review in Spanish] |
