Set mostly in his Sardinian mansion, Silvio Berlusconi's personality, politic career, scandals, relationship with his wife and ambiguous heritage are presented through partially fictional events.... (Full plot summary below)
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Set mostly in his Sardinian mansion, Silvio Berlusconi's personality, politic career, scandals, relationship with his wife and ambiguous heritage are presented through partially fictional events.
Leave your thoughts about Loro 2.
| Sydney Morning HeraldPaul Byrnes[Paolo Sorrentino] embraces the corruption, the vulgarity and the extravagance with a certain tenderness, rather than envy. |
| CineVueChristopher MachellLuca Bigazzi's cinematography is a stunning kaleidoscope of colour, naked pleasure and voyeurism; it's at once a vision of desire and shattering, vacuous ugliness. |
| The AustralianDavid StrattonSorrentino is an exceptional director and Servillo is a most remarkable actor; once again these two major talents have created a film of considerable impact, even if this time their subject remains frustratingly elusive. |
| El Pais (Spain)Jordi CostaIn other words, Loro is a film that shouts its intention to mock Berlusconi loudly while surrendering again and again to the seduction of his obscene imaginary. [Full Review in Spanish] |
| El Mundo (Spain)Alberto LuchiniA monumental exercise of incoteninence, both argumentative and stylistic, that draws from those Fellinian sources that Sorrentino frequents so much. [Full Review in Spanish] |
| Cinemanía (Spain)Yago GarcíaBerlusconi is reduced to what Sorrentino and [actor Riccardo Scamarcio] suggest in the best scene of the film: an apartment salesman. [Full review in Spanish] |
| Australian Financial ReviewJohn McDonaldIt's like changing channels between a Tinto Brass movie and My Dinner with André. |
| Hammer to NailChristopher Llewellyn ReedA wild ride of a movie through the life ... of Silvio Berlusconi ... it recalls ... The Wolf of Wall Street in its cinematic ... excess in the name of condemning that excess. |
| Film InquiryAlex LinesLoro manages to showcase the best and worst qualities of the Oscar-winning successor to Fellini's opulent throne. |
| The Sunday AgeCraig MathiesonA journey through the late political years and amoral orbit surrounding mogul turned controversial Italian Prime Minister Silvio Berlusconi, the film delves once more into hermetic worlds where the only disruption is deadpan absurdism |
