The iconic Mister Kelly's, once called a "supernova in the local and national night life firmament," illuminated legendary Chicago's Rush Street, and the entire country, by launching talent like Barbra Streisand, Richard Pryor, Bob Newhart, Bette Midler and Steve Martin. Its visionary owners George and Oscar Marienthal smashed color and gender barriers to put unknown, controversial voices on stage and transform entertainment, as America knew it in the '50s, '60s, and '70s. No... (Full plot summary below)
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The iconic Mister Kelly's, once called a "supernova in the local and national night life firmament," illuminated legendary Chicago's Rush Street, and the entire country, by launching talent like Barbra Streisand, Richard Pryor, Bob Newhart, Bette Midler and Steve Martin. Its visionary owners George and Oscar Marienthal smashed color and gender barriers to put unknown, controversial voices on stage and transform entertainment, as America knew it in the '50s, '60s, and '70s. Now, with the club long gone, and its star talent reaching its golden years, George's son David and director/screenwriter, Theodore Bogosian, go on a quest to collect the memories of the clubs before they are lost. Celebrity interviews now include Bob Newhart, the Smothers Brothers, Dick Gregory, Lainie Kazan, Herbie Hancock, Dick Cavett, Tim Reid, Fred Willard and Ramsey Lewis. The film portrays through interviews, live footage, photos, music, and song, the most beloved and famous talent of our time at the decisive moments when they showed up, dug deep, and broke in. How do you change the world with a laugh and a song? Find out in a film that documents the rise and fall of one of American entertainment's great proving grounds.
Leave your thoughts about Live at Mister Kelly's.
| RogerEbert.comPeter SobczynskiEven though the film is ultimately not much more than an exercise in nostalgia, that's hardly a bad thing when you're delving into a past as rich as the one on display here. |
| Chicago Sun-TimesRichard RoeperVia the steady direction by Theodore Bogosian and the golden-throat narration from the one and only Bill Kurtis, we learn the full and amazing story of the joint one newspaper wag dubbed a “supernova in the local and national nightlife firmament.” |
| The Globe and Mail (Toronto)Brad WheelerWith his film, Bogosian remembers a springboard venue in the evolution of the uniquely American artforms of jazz and comedy. |
