
LICORICE PIZZA is the story of Alana Kane and Gary Valentine growing up, running around and falling in love in the San Fernando Valley, 1973. Written and Directed by Paul Thomas Anderson, the film tracks the treacherous navigation of first love.... (Full plot summary below)
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LICORICE PIZZA is the story of Alana Kane and Gary Valentine growing up, running around and falling in love in the San Fernando Valley, 1973. Written and Directed by Paul Thomas Anderson, the film tracks the treacherous navigation of first love.
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| RogerEbert.comChristy LemirePaul Thomas Anderson’s golden, shimmering vision of the 1970s San Fernando Valley in Licorice Pizza is so dreamy, so full of possibility, it’s as if it couldn’t actually have existed. |
| The Globe and Mail (Toronto)Barry HertzA comedy, a drama, a romance, a memory, Licorice Pizza is the director’s warmest and fuzziest creation. |
| Paste MagazineAurora AmidonLicorice Pizza is more than just a movie. It’s a delectable, playful, sentimental reminder of what it means to be young, as well as an embodiment of what it feels like to grow up. |
| The AtlanticDavid SimsLicorice Pizza is an antic comedy about Alana and Gary tooling around the Valley, but it’s also a bittersweet reminiscence about how difficult embracing adulthood can be. |
| New York PostJohnny OleksinskiIt was always going to be an emotional experience watching the late Philip Seymour Hoffman’s son Cooper Hoffman make his acting debut. His father, an Oscar-winning genius, died in 2014...What we never could have imagined, though, is that Cooper’s freshman performance (he’s so green, his IMDB page doesn’t have a photo yet) would be one of the best of the year in what is easily the best film of 2021, Paul Thomas Anderson’s brilliant Licorice Pizza. This wonderful kid should be in the Oscar race, but we’re too predictably infatuated with big names. Let’s fix that. |
| TheWrapAlonso DuraldeThe film rides upon the shoulders of first-timers Haim (Anderson has directed several of her band’s videos) and Hoffman (son of frequent Anderson collaborator, the late Philip Seymour Hoffman), and they’re both thoroughly engaging. |
| IndieWireDavid EhrlichIn Licorice Pizza, time isn’t something that keeps people apart — it’s the only thing that allows them to find each other in the first place. And this euphoric movie doesn’t waste a minute of it. |
| The GuardianPeter BradshawIt’s such a delectable film: I’ll be cutting myself another slice very soon. |
| The TelegraphRobbie CollinIn a world of algorithmically sorted content, Anderson’s ninth film, and his first since 2017’s Phantom Thread, is irresistibly hard to pin down: you’d have to go back around 50 years, to the likes of Hal Ashby’s Shampoo or Peter Bogdanovich’s The Last Picture Show, to find another that runs on a similar kind of woozy clockwork. |
| Los Angeles TimesJustin ChangWith Licorice Pizza [Anderson] has sifted through a haze of wildly embellished tales and half-forgotten memories — and pieced together something that feels more concrete, more achingly, tangibly real, than just about any American movie this year. |