La France
La France

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- 64/100 based on 571 votes

In France in the darkest days of the Great War Camille receives an alarming letter from her soldier boyfriend. Disguising herself as a man she sets off to try and find him. As she lives near the Western Fromt she hooks up with a passing group of French soldiers without too much trouble. But there's something a bit odd about these stragglers, and it's not just their habit of bursting into song at every opportunity.... (Full plot summary below)

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Full Plot Details

In France in the darkest days of the Great War Camille receives an alarming letter from her soldier boyfriend. Disguising herself as a man she sets off to try and find him. As she lives near the Western Fromt she hooks up with a passing group of French soldiers without too much trouble. But there's something a bit odd about these stragglers, and it's not just their habit of bursting into song at every opportunity.

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Movie Reviews

Reeling Reviews - 9/10 by Robin CliffordThe players, Sylvie Testude's Camille plus the eleven French soldiers, are not given much chance to develop their characters beyond two-dimensional.
New York Times - 8/10 by Manohla DargisIn the once-upon-a-time fairy tale called La France, French soldiers move through darkly verdant landscapes worthy of Henri Rousseau.
Slant Magazine - 8/10 by Fernando F. CroceGender and genre are continuously bent in La France, Serge Bozon's uniquely weird and often starkly beautiful experiment.
Gay City News - 6/10 by Steve EricksonImpossible to classify, it's a war movie with a love story that only flowers in its beginning and then in its closing moments.
Seattle Post-Intelligencer - 6/10 by Bill WhiteSerge Bozon's quietly disturbing fable takes place in northern France in the middle of Word War I.
Boxoffice Magazine - 6/10 by John P. McCarthySimultaneously avant garde and down to earth, the somber film is anchored by spontaneous musical eruptions on its more elusive end and by Sylvie Testudâ(TM)s tactile performance.
User Review - 10/10 by Eric AI think Serge Bozon deserves more recognition than he has received. Having said that, being a film geek I am glad the films have been so successful on the festival circuit. I was lucky enough to have been---coincidentally---at two film festivals on opposite sides of the world when his last two films premiered: Mods at the Revelation Film Festival [around 03 or 04] and La France in Houston earlier this year. On both occasions, I was blown away by the films as well as by Serge's knowledge of the genres and styles with which he was playing. Serge's films are intelligent without becoming didactic. Yet they are also stylish without losing substance. This is a very rare thing in today's cinema---even in the so-called arthouse and festival scene.
User Review - 8/10 by Cowa BFilm Comment calls the work of Serge Bozon and his contemporaries "The Wave With No Name" (March/April 2011). The only film I could find from Bozon and his cohorts to Watch Instantly is this strange and pleasing genre-bender. Part war movie (WWI), part road movie, part musical, part melodrama, it concerns Camille Robin (Sylvie Testud) a not very bright young woman whose husband is away at war. A jealous friend reads to Camille her husband's most recent letter that says he will not be writing again. It's not clear, or perhaps it's intentionally ambiguous, but I got the feeling that Camille may not be able to read and that the friend was lying as to what it says. At any rate, Camille cuts her hair, dresses as a man, and goes off to find him. Almost immediately she joins a group of French soldiers who tell her (him, they believe) that they are looking to rejoin their regiment, but are, in fact, deserting. Along the way, through the course of the film, this little band of soldiers break out in song, with a variety of hand-made instruments, and sing a series of songs that all begin "I, blind girl" and have the sound of sunny '60s California pop. Favorite quote from the film: "He's waiting for us in Atlantis, in Holland, wherever there are orphans full of infamy."
User Review - 8/10 by Bob GTense at times, but fun most of the times!
User Review - 8/10 by Joey II don't even know how to think about La France, let alone what. In a lot of ways, I felt that this was an anti-Cold Mountain. The two plots, in many ways, parallel each other, but they are both handled in such different manners. Where CM spares us no Hollywood flourishes, La France is content with flat, bare statements, willfully unadorned. La France goes out of its way in a few places to avoid narrative engagement with the audience. And the ending, instead of filled with passionate reconciliation, ends with a slow, almost sad sexual release.

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