La Dolce Vita
La Dolce Vita

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- 80/100 based on 76,130 votes

In 1959/1960 Rome, Marcello Rubini (Marcello Mastroianni) is a writer and journalist, the worst kind of journalist--a tabloid journalist. His job is to try to catch celebrities in compromising or embarrassing situations. He tends to get quite close to his subjects--especially when they're beautiful women. Two such subjects are local heiress Maddalena (Anouk Aimee), and Swedish superstar-actress Sylvia (Anita Ekberg), with both of whom he has affairs despite being engaged to E... (Full plot summary below)

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Actors in La Dolce Vita:

Marcello Mastroianni
Anita Ekberg
Anouk Aimée
Yvonne Furneaux
Magali Noël
Alain Cuny

Full Plot Details

In 1959/1960 Rome, Marcello Rubini (Marcello Mastroianni) is a writer and journalist, the worst kind of journalist--a tabloid journalist. His job is to try to catch celebrities in compromising or embarrassing situations. He tends to get quite close to his subjects--especially when they're beautiful women. Two such subjects are local heiress Maddalena (Anouk Aimee), and Swedish superstar-actress Sylvia (Anita Ekberg), with both of whom he has affairs despite being engaged to Emma (Yvonne Furneaux), a clingy, insecure, nagging, melodramatic woman. Despite his extravagant, pleasure-filled lifestyle, he is wondering if maybe a simpler life wouldn't be better.

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Movie Reviews

culturevulture.net - 10/10 by Arthur LazereRich in intelligent observation...it shares some wisdom without being preachy, always with Fellini's gift for entertaining and amusing us.
The New Republic - 10/10 by Stanley KauffmannFellini has set out to move us with the depravity of contemporary life and has chosen what seems to me a poor method: cataloging sins. Very soon we find ourselves thinking: Is that all?
Slant Magazine - 10/10 by Matthew ConnollyWhat is happiness within the film's world? Fellini offers no easy answers.
Time Out - 10/10 by David FearEverything has changed, and nothing has changed. How sour it still is.
Film4 - 10/10 by Fran HortopIn spite of its thematic ugliness, this is a stunning-looking trawl through the Italian capital, with Ekberg's impromptu paddle in the Trevi fountain still the films enduring image.
Arkansas Democrat-Gazette - 10/10 by Philip Martin...experienced as a series of bizarre vignettes, a headlong rush into the heady air of Rome's Via Veneta , its swank nightclubs and seedy gigolos, the perfume of fame and the stink of money.
Not Coming to a Theater Near You - 10/10 by Rumsey TaylorThe girl's gaze of hope directs towards the viewer in the film's staggering and ambiguous final shot.
Empire Magazine - 10/10 by David ParkinsonFederico Fellini's parody of the parasites who bask in the glory of cheap publicity not only exposes the emptiness of their lives, but also of those who report their antics as if they were of world-shattering import.
Atlanta Journal-Constitution - 10/10 by Eleanor Ringel CaterThe circus that became the '60s was ushered in cinematically by La Dolce Vita, Federico Fellini's masterwork about the so-called 'sweet life' on Rome's teeming Via Veneto.
Boston Globe - 10/10 by Wesley MorrisFreshly viewed, the movie's melancholy seems to fit uncannily well in the moment we find ourselves now. In the film there are mentions of nuclear annihilation and worries that heedless lust and wanton partying could bring Rome a second fall.

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