
Well off Andrzej and Krystyna's marriage is at a stage where familiarity breeds contempt, that contempt which is outwardly shown only behind closed doors and only when an incident of some sort sets off one or the other. While driving through the countryside on a Sunday on their way to the lake to embark on an overnight sailing excursion, they almost run over a young male hitchhiker. Despite the antagonism between Andrzej and the hitchhiker, Andrzej offers him a ride as far as... (Full plot summary below)
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Well off Andrzej and Krystyna's marriage is at a stage where familiarity breeds contempt, that contempt which is outwardly shown only behind closed doors and only when an incident of some sort sets off one or the other. While driving through the countryside on a Sunday on their way to the lake to embark on an overnight sailing excursion, they almost run over a young male hitchhiker. Despite the antagonism between Andrzej and the hitchhiker, Andrzej offers him a ride as far as the marina. By the time they reach the lake, their antagonism has dissipated enough that Andrzej asks if he would like to join them on their sailing trip. The hitchhiker accepts despite knowing nothing about sailing. As the sailing trip progresses, the antagonism between the two men begins to increase again, fueled on both sides as each strives to be the alpha male. Andrzej needs to show his superiority, while the hitchhiker needs to show that his young age and inexperience, not only with sailing but with life in general, do not make him any less of a man in comparison. Later incidents demonstrate that their relationship may have been different if Krystyna was not in the picture. The hitchhiker's pocket knife, seemingly his most prized possession on his person, becomes a symbol of that power struggle between the two men. If the three emerge from their sailing trip alive, they may be forever changed by their encounter.
Leave your thoughts about Knife in the Water.
| Arkansas Democrat-GazettePhilip Martin...a dazzling black-and-white chamber piece |
| Cinema WriterJay AntaniThe acting, music and camerawork all weave together to create an unexpectedly magical, brilliantly crafted, intensely sensuous experience. |
| Chicago ReaderDon DrukerThe sexual tensions build slowly and subtly, and when they explode into violence, it seems to be the desired result. |
| Shadows on the WallRich ClineA masterpiece of style and economy--a complex and delicately balanced tale with only three characters and one small set. |
| Filmcritic.comChristopher Nullthe best "first" following only Citizen Kane |
| The New York Review of BooksJonathan MillerPolanski has played a cool trick by taking this ordinarily social squabble out of the city and putting it down in the middle of a watery nowhere. |
| Hollywood ReporterDouglas PrattKnife in the Water has one of those simple, clearly expressed narratives that grabs you and holds you even though not much goes on. |
| CinePassionFernando F. CroceCircles and triangles govern Polanski's great, brackish anecdote about the instability of human interaction |
| EmanuelLevy.ComEmanuel LevyTaut, compelling, and engaging, Polanski's Oscar-nominated thriller is one of the most brilliant debuts in film history. |
| ColeSmithey.comCole Smithey[VIDEO ESSAY} For his debut feature film - after graduating from Poland's famed National Film School in Lodz - Roman Polanski set out to break several golden rules of academic filmmaking. |