
In a small cottage on the northern coast of Scotland, Megan Boyd twirled tiny bits of feather and fur, silver and gold into fishing flies that were at once works of art, magical - and absolutely lethal. Wherever men and women cast their lines for the mighty Atlantic salmon, her name is whispered in mythic reverence, and stories about her surface and swirl like fairy tales.... (Full plot summary below)
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In a small cottage on the northern coast of Scotland, Megan Boyd twirled tiny bits of feather and fur, silver and gold into fishing flies that were at once works of art, magical - and absolutely lethal. Wherever men and women cast their lines for the mighty Atlantic salmon, her name is whispered in mythic reverence, and stories about her surface and swirl like fairy tales.
Leave your thoughts about Kiss the Water.
| Observer (UK)Mark KermodeWith its lyrical blend of atmospheric Highland footage and expressionist animation, this is much more than a documentary about the dying art of hand-fashioned fishing hooks. |
| Financial TimesNigel AndrewsIt makes fishing look an Edenic pastime, with Boyd's iridescent feather/fur/hair creations proving that in a prelapsarian world even salmon can have the fine or fatal sensibility of art connoisseurs. |
| Time OutTrevor JohnstonDefinitely not your standard doc, this is something special ... a captivating journey through a landscape of mystery and imagination. |
| Total FilmKevin HarleyDeploys talking heads, dreamy animations and lyrical music to trace the arc of Boyd's life and mount a poetic, poignant tribute to the seductive mystique of a rarefied craft. |
| Daily Telegraph (UK)Robbie CollinThis is the story of an odd life, and a degree of oddness in its telling is desirable. |
| ScotsmanSiobhan SynnotIt's a pity there's so little footage of Boyd, but Em Cooper's animation bridges some of the gaps in this gentle, artful pleasure. |
| Eye for FilmAmber WilkinsonThis is an impressionistic portrait, as multi-faceted and delicate as the flies which we see being created at points through the film. |
| GuardianPeter BradshawWhat seems at first an impossibly flimsy and meagre documentary subject slowly reveals itself as cine-miniaturism with charm. |
| London Evening StandardCharlotte O'SullivanSteel uses animation, crispy cinematography and interviews with Boyd's protégés and friends to chart the depths of this one-of-a-kind businesswoman. |
| OregonianJamie S. RichImpressionistic animation illustrates the beauty Boyd created...Megan herself comes off as some kind of fabled creature, never seen, but always admired and respected. |