Kings Row
Kings Row

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- 75/100 based on 4,812 votes

Five children in an apparently ideal American small town find their lives changing as the years pass near the turn of the century in 1900. Parris Mitchell (Robert Cummings) and Drake McHugh (Ronald Reagan), both of whom have lost their parents, are best friends; Parris dreams of becoming a doctor, studying under the father of his sweetheart Cassandra Tower (Betty Field), while Drake plans on becoming a local businessman when he receives his full inheritance - juggling girlfri... (Full plot summary below)

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Full Plot Details

Five children in an apparently ideal American small town find their lives changing as the years pass near the turn of the century in 1900. Parris Mitchell (Robert Cummings) and Drake McHugh (Ronald Reagan), both of whom have lost their parents, are best friends; Parris dreams of becoming a doctor, studying under the father of his sweetheart Cassandra Tower (Betty Field), while Drake plans on becoming a local businessman when he receives his full inheritance - juggling girlfriends in the meantime. As they become adults, the revelations of local secrets threaten to ruin their hopes and dreams.

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Movie Reviews

Ozus' World Movie Reviews - 9/10 by Dennis SchwartzThe film that made the future President Reagan a movie star.
EmanuelLevy.Com - 9/10 by Emanuel LevySam Wood's Oscar-nominated small-town tale is one of the darkest melodramas Hollywood made in the 1940s, full of neurotic personalities and perverse secrets.
Movie Metropolis - 7/10 by John J. Puccio...while episodic and sentimental and filled with all kinds of unlikely turns of events, there is no denying the characters are endearing and the ending uplifting.
Tim Dirks' The Greatest Films - 6/10 by Tim DirksKings Row (1942) combines a turn-of-the-century setting with a small-town melodrama uncovering evil and depravity.
Journal and Courier (Lafayette, IN) - 6/10 by Bob BloomA wonderful guilty pleasure potboiler enchanced by a magnificent Korngold score and fine acting from Ronald Reagan in the performance of his career. Only lead Robert Cummings is weak as Paris Mitchell; just imagine James Cagney in the role!
User Review - 10/10 by Ashley HBased on a dark, soapy bestselling novel, this is definitely one of Ronald Reagan's best performances, if not THE best. Like "Peyton Place", the original novel focused on the dark secrets underlying an outwardly nice, moral, family-oriented town. Unfortunately, unlike "Peyton Place," the subject matter had to be way watered down to get past the censors at the time this was made, leaving one of the key storylines - a doctor's incestuous relationship with his daughter - so vague that the first time I saw this film prior to reading the book, I didn't understand what was going on with that subplot. The other weird thing about this movie is that Kings Row manages to have not one, but TWO messed-up doctors: one's the aforementioned incest committer (played by Claude Rains) and the other (played by Charles Coburn) is a sadist who enjoys amputating limbs and wreaking vengeance on patients he doesn't like. Reagan plays "Drake", a dashing rich party-boy who falls victim to the sadistic doc but then manages to have a decent life thanks to the tender mercies of his childhood friend "Randy" (Ann Sheridan), the girl literally from the wrong side of the tracks. I thought Reagan and Sheridan pretty much carried the film, with the other main part, their friend "Parris" (Robert Cummings) finishing a very distant third. As someone else noted, the amputation theme was timely due to WWII even though this book is set in an earlier era. A decent soap opera for its time, but not quite as good as the book due to all the controversial (for then) issues that had to be presented very obliquely or left out entirely.. 5 Stars
User Review - 10/10 by Tim EI've always found this film very sad, and very moving. Essentially a film about growing up and the loss of innocence.
User Review - 10/10 by Bruce BBased on a dark, soapy bestselling novel, this is definitely one of Ronald Reagan's best performances, if not THE best. Like "Peyton Place", the original novel focused on the dark secrets underlying an outwardly nice, moral, family-oriented town. Unfortunately, unlike "Peyton Place," the subject matter had to be way watered down to get past the censors at the time this was made, leaving one of the key storylines - a doctor's incestuous relationship with his daughter - so vague that the first time I saw this film prior to reading the book, I didn't understand what was going on with that subplot. The other weird thing about this movie is that Kings Row manages to have not one, but TWO messed-up doctors: one's the aforementioned incest committer (played by Claude Rains) and the other (played by Charles Coburn) is a sadist who enjoys amputating limbs and wreaking vengeance on patients he doesn't like. Reagan plays "Drake", a dashing rich party-boy who falls victim to the sadistic doc but then manages to have a decent life thanks to the tender mercies of his childhood friend "Randy" (Ann Sheridan), the girl literally from the wrong side of the tracks. I thought Reagan and Sheridan pretty much carried the film, with the other main part, their friend "Parris" (Robert Cummings) finishing a very distant third. As someone else noted, the amputation theme was timely due to WWII even though this book is set in an earlier era. A decent soap opera for its time, but not quite as good as the book due to all the controversial (for then) issues that had to be presented very obliquely or left out entirely.. 5 Stars
User Review - 10/10 by Chris SI consider this to be Reagan's best film.
User Review - 10/10 by Michael TThis movie has one of the best opening chapters I've ever seen, introducing, with clarity and precision, all of the main characters as children and the nexus that will play out later in the story. Although the story covers a lot of time and dramatic territory I never felt that the movie was rushed or pared down. Every scene is remarkably efficient in the way it conveys information and dives right into the dramatic and emotional crux of the moment (the letter-writing segment is particularly brilliant), and every scene segues naturally into the next. The final two scenes, in one of which Parris recites part of William Henley's poem "Invictus", lift the movie into a kind of delirium. By the end I experienced, not exhaustion, but exhilaration by having gotten to know these people so well and having shared in their joys and sorrows. This is rare. In the end, the characters are so well defined that I wouldn't change a single performance by a single actor. All this AND the rich and detailed cinematography of James Wong Howe and the glorious, evocative music of Erich Korngold (the moment I heard the first chords I recognized him as the composer for "The Adventures of Robin Hood"). It's Warner Bros. all the way - bold and brassy. This is the kind of movie that provokes people to say, "They don't make 'em like this anymore." Old or contemporary, "Kings Row" stands alone. It is a wonderful movie.

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