
A man in his early 30s (Keane) struggles with the supposed loss of his daughter from the Port Authority Bus Terminal in New York, while fighting serious battles with schizophrenia. We can never be sure if the loss is real or imaginary; or whether his overt interest in helping young girls is innocent and of a fatherly nature, or is of a darker, scarier motive.... (Full plot summary below)
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A man in his early 30s (Keane) struggles with the supposed loss of his daughter from the Port Authority Bus Terminal in New York, while fighting serious battles with schizophrenia. We can never be sure if the loss is real or imaginary; or whether his overt interest in helping young girls is innocent and of a fatherly nature, or is of a darker, scarier motive.
Leave your thoughts about Keane.
| Film Freak CentralWalter ChawIt's in that breathtaking humanism, its illustration of the way we connect to one another, and how brittle that social fabric can be, that the film touches on sublimity. |
| musicOMH.comAnton BitelOnly Kerrigan's previous Clean, Shaven surpasses Keane as a sympathetic study of a man unravelled. |
| Chicago Sun-TimesRoger EbertKeane is played by Damian Lewis. Here he inhabits an edge of madness that Lodge Kerrigan understands with a fierce sympathy. |
| Filmcritic.comJeremiah Kipptakes a long, grueling ride around the block and never really manages to illuminate the human condition |
| Hollywood ReporterMichael RechtshaffenKeane maintains its gritty, unsettling edge as it quietly leads up to a potentially even more troubling finale. |
| Wall Street JournalJoe MorgensternMay be too much suspense for some, but it's vividly powerful. |
| Austin ChronicleMarjorie BaumgartenLodge Kerrigan is one of the great, though largely unheralded, filmmakers of our time, and with Keane, his third feature, he finally shows himself to be in full command of his uncompromising talent. |
| Rolling StonePeter TraversKerrigan is without peer at plumbing the violence of the mind. |
| Los Angeles TimesKevin ThomasA wholly unexpected and ultimately gratifying experience. |
| Chicago TribuneMichael WilmingtonThe first 10 minutes of Lodge Kerrigan's Keane have a raw, hurtling reality that's as painfully engrossing as anything you'll see in a recent non-fiction movie, a searing portrait of one man's hell, from inside and outside. |